عنوان

Portraits of the Sun:

شماره

TL7zx698z9

زبان متن نوشتاري يا گفتاري و مانند آن

انگلیسی

عنوان اصلي

Portraits of the Sun:

نام عام مواد

[Thesis]

نام نخستين پديدآور

Kunimoto, Thalia Namiko

عنوان اصلي به قلم نويسنده ديگر

Violence, Gender, and Nation in the Art of Shiraga Kazuo and Tanaka Atsuko

نام ساير پديدآوران

Levine, Gregory P

نام ناشر، پخش کننده و غيره

UC Berkeley

تاریخ نشرو بخش و غیره

2010

کسي که مدرک را اعطا کرده

UC Berkeley

امتياز متن

2010

متن يادداشت

The Gutai Art Association, or more simply Gutai, meaning "concreteness" or "embodiment," was formed in 1954 in Osaka. Emerging at the close of the American Occupation, this intensely productive group took up an array of practices, including painting, performance, mixed-media installation, and calligraphy. This dissertation attempts to move away from the over-reliance on the Gutai Manifesto and the persistent view that Gutai was a collective of homologous interests. In response to this highly generalized approach, this dissertation focuses specifically on two key Gutai members, Tanaka Atsuko (1932-2005) and Shiraga Kazuo (1924-2008), to explore the larger stakes of the modern Japanese subject in the postwar period. Their works, often filled with crimson reds, radiating circular forms, and aggressive acts of exhibitionism, resonate with issues of nationhood and representation portrayed through a language of visual violence and gendered spectacle. An adequate account of the politically fraught, gendered stakes of Gutai art has yet to be produced, and I hope that my work will begin to uncover the intensely important, yet somewhat ambiguous questions of gender, representation, and nationhood that, as I see it, Tanaka and Shiraga insistently posed and demanded to be witnessed.

مستند نام اشخاص تاييد نشده

Kunimoto, Thalia Namiko

مستند نام اشخاص تاييد نشده

Levine, Gregory P

مستند نام تنالگان تاييد نشده

UC Berkeley

نام الکترونيکي

فرمت انتشار

p

نوع ماده

[Thesis]

کد کاربرگه

276903

سطح دسترسي

a

تكميل شده

Y