The Choreographies of Ananya Chatterjea and David Roussève
نام ساير پديدآوران
Roberts, Allen F
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
UCLA
تاریخ نشرو بخش و غیره
2013
یادداشتهای مربوط به پایان نامه ها
کسي که مدرک را اعطا کرده
UCLA
امتياز متن
2013
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
This paper shows how Ananya Chatterjea and David Roussève reinterpret their lived experiences to create choreographies about the politics of diaspora on the concert dance stage. I examine how Chatterjea's reconstruction of "classical" Indian dance forms becomes the artistic foundation of her company Ananya Dance Theatre. I analyze how Roussève reinterprets an African American blues music "tradition" to construct the thematic framework of his company REALITY. As their choreographies cross boundaries of culture, race, nation, and sexuality, I argue that their work reveals the complex histories of diasporic communities. Additionally, this paper uses the autoethnographic method to discuss how these choreographers helped me to analyze cross-cultural engagement as a collective inquiry into lived experiences. A video of the performance I created from this particular research is included as supplementary material.
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )