عنوان

Joining Forces in Technology:

شماره

TL32m6c5w9

زبان متن نوشتاري يا گفتاري و مانند آن

انگلیسی

عنوان اصلي

Joining Forces in Technology:

نام عام مواد

[Thesis]

نام نخستين پديدآور

Jurkowski, Nicholas Wright

عنوان اصلي به قلم نويسنده ديگر

Three Analytical Case Studies of Early Corporate-Sponsored Electronic Music

نام ساير پديدآوران

Levy, Benjamin

نام ناشر، پخش کننده و غيره

UC Santa Barbara

تاریخ نشرو بخش و غیره

2017

کسي که مدرک را اعطا کرده

UC Santa Barbara

امتياز متن

2017

متن يادداشت

The close of World War II and the advent of the Cold War had effects far beyond the oft-explored realms of global alliances and domestic policy; this dissertation traces a path exploring how these grand geopolitical factors, and accompanying patterns in knowledge production, filtered from the larger intellectual climate to more localized cultural and artistic trends. I seek to show how application-focused trends in postwar knowledge and technology production (termed "Mode 2" by Michael Gibbons, Camille Limoges, Helga Nowotny, et al. in their 1994 book, The New Production of Knowledge: The Dynamics of Science and Research in Contemporary Societies) found an avenue into avant-garde art through the bourgeoning field of electronic music. This represents a break with historical trends, since the arts have generally functioned within older, discipline-focused, patronage-based models.In addition to exploring how the historical context of the early Cold War informed the development of knowledge production generally, and electronic music specifically, I focus on three composers' activities at early electroacoustic studios in the years 1955-1965, as well as their accompanying sponsors: Milton Babbitt and the RCA Synthesizer at the Columbia-Princeton Electronic Music Studio; Mauricio Kagel at the Siemens Studio for Electronic Music in Munich; and Toru Takemitsu at Sony's Electronic Music Studios in Tokyo. I hope to show how the broader intellectual climate of the United States and its satellites in the early Cold War period helped to shape both how a number of electroacoustic music studios were established, and how music was conceived of and composed there. Ultimately, I also aim to understand how these pieces fit into their composers' larger output and individual artistic goals, while at the same time using these cases to develop a more nuanced understanding of the broader cultural significance of early electronic music.

مستند نام اشخاص تاييد نشده

Jurkowski, Nicholas Wright

مستند نام اشخاص تاييد نشده

Levy, Benjamin

مستند نام تنالگان تاييد نشده

UC Santa Barbara

نام الکترونيکي

فرمت انتشار

p

نوع ماده

[Thesis]

کد کاربرگه

276903

سطح دسترسي

a

تكميل شده

Y