عنوان

Haunted Changes:

شماره

TL8tt2s60p

زبان متن نوشتاري يا گفتاري و مانند آن

انگلیسی

عنوان اصلي

Haunted Changes:

نام عام مواد

[Thesis]

نام نخستين پديدآور

Blake, George Kaeser

عنوان اصلي به قلم نويسنده ديگر

How Cleveland's Segregated Landscape Shapes Aesthetic Agency and the Social Life of "Real Jazz"

نام ساير پديدآوران

Lipsitz, George; Cooley, Timothy J

نام ناشر، پخش کننده و غيره

UC Santa Barbara

تاریخ نشرو بخش و غیره

2017

کسي که مدرک را اعطا کرده

UC Santa Barbara

امتياز متن

2017

متن يادداشت

This dissertation examines diffuse Cleveland jazz scenes as locations in which the confusing meanings and importance of race in the post-civil rights era are debated and enacted. An impossible contradiction at the core of the scene is that jazz is legitimated by its institutionalization and ascendancy on the cultural hierarchy at the same time that many of its new homes remain inaccessible to black people because of the continuing legacy and continuity of racial spatial containment. As a consequence, seemingly neutral questions of aesthetics and musical categorization are pitched to racial inflections. Through ethnographic research, I explore how the complex and sometimes incongruous baggage ascribed to jazz resonates on Cleveland's segregated streets and suburbs. The paradoxes built into Cleveland jazz show the fault lines between music's power to create new racial subjectivities and the entrenched material conditions of race.

مستند نام اشخاص تاييد نشده

Blake, George Kaeser

مستند نام اشخاص تاييد نشده

Lipsitz, George; Cooley, Timothy J

مستند نام تنالگان تاييد نشده

UC Santa Barbara

نام الکترونيکي

فرمت انتشار

p

نوع ماده

[Thesis]

کد کاربرگه

276903

سطح دسترسي

a

تكميل شده

Y