عنوان

Interrelationships in South and Southeast Asian Art:

شماره

TL9mx6k5n9

زبان متن نوشتاري يا گفتاري و مانند آن

انگلیسی

عنوان اصلي

Interrelationships in South and Southeast Asian Art:

نام عام مواد

[Thesis]

نام نخستين پديدآور

Chau, My Ket

عنوان اصلي به قلم نويسنده ديگر

Cham Female Iconography, Buddhist Inscriptions and the Seated Buddha Image

نام ساير پديدآوران

Brown, Robert L

نام ناشر، پخش کننده و غيره

UCLA

تاریخ نشرو بخش و غیره

2014

کسي که مدرک را اعطا کرده

UCLA

امتياز متن

2014

متن يادداشت

The majority of archaeology in Champa consists of Hindu arts and architecture. Buddhism co-existed with Hinduism, but it was not the dominant religion. In 875 CE, Indravarman II was the first Cham ruler to actively support Buddhism with the construction of the Dong Duong temple located in present-day Binh Dinh, Vietnam. An analysis of Sanskrit Buddhist inscriptions helps shed light on Cham royal women. The inscriptions revealed that royal women and the king shared an interest in Buddhism. Narrative relief carvings from two altar pedestals displayed the prominent role of females. In addition, a rare seated Buddha statue with the legs pendant-- a posture associated with female goddesses also intensified the importance of female power. In the 9th century, the female role in art at Dong Duong is extraordinary in the Buddhist context. I argue, that the seated Buddha with the legs pendant and narrative relief panels of the Buddha's life depicted at the temple emphasized the female realm.

مستند نام اشخاص تاييد نشده

Chau, My Ket

مستند نام اشخاص تاييد نشده

Brown, Robert L

مستند نام تنالگان تاييد نشده

UCLA

نام الکترونيکي

فرمت انتشار

p

نوع ماده

[Thesis]

کد کاربرگه

276903

سطح دسترسي

a

تكميل شده

Y