عنوان

Online Music Distribution - How Much Exclusivity Is Needed? :

شابک

3662596989

شابک

3662596997

شابک

3662597004

شابک

3662597012

شابک

9783662596982

شابک

9783662596999

شابک

9783662597002

شابک

9783662597019

شابک اشتباه

9783662596982

عنوان اصلي

Online Music Distribution - How Much Exclusivity Is Needed? :

نام عام مواد

[Book]

ساير اطلاعات عنواني

a Study of International, European, German and U.S. Copyright Systems and Their Objectives /

نام نخستين پديدآور

Nikita Malevanny.

محل نشرو پخش و غیره

Berlin, Germany :

نام ناشر، پخش کننده و غيره

Springer,

تاریخ نشرو بخش و غیره

2019.

نام خاص و کميت اثر

1 online resource (438 pages)

عنوان فروست

Munich Studies on Innovation and Competition ;

مشخصه جلد

v. 12

متن يادداشت

III. Results with Regard to Rights

متن يادداشت

Intro; Acknowledgements; Contents; Abbreviations; List of Figures; List of Tables; Chapter 1: Introduction; A. Background; B. Research Questions and Methodological Remarks; C. Terminology; D. Issues Beyond the Scope of This Study; E. How Is This Study Organized?; Part I: Online Music Distribution: Current Legal Situation; Chapter 2: Relevant Online Music Uses; A. Downloading: Permanent and Limited; B. Streaming: Interactive and Non-interactive; Chapter 3: Relevant Rights and Their Applicability to Online Music Uses; A. International Law; I. Relevant Rights of Authors in Musical Works

متن يادداشت

1. Berne Conventiona) Reproduction Right: Art. 9(1); b) Communication Rights; 2. Universal Copyright Convention; 3. TRIPS; 4. WCT; a) Reproduction Right; b) Communication to the Public, Including Making Available on Demand; c) Distribution and Rental Rights; II. Relevant Rights of Performers in Performances; 1. Rome Convention; 2. TRIPS; 3. WPPT; III. Relevant Rights of Phonogram Producers in Phonograms; 1. Rome Convention; 2. Geneva Phonograms Convention; 3. TRIPS; 4. WPPT; B. European Law; I. Relevant Rights of Authors in Musical Works; 1. Reproduction Right; a) Broad Reproduction Right

متن يادداشت

2. European Law3. German Law; 4. U.S. Law; II. Rights of Performers and Phonogram Producers in Respective Subject-Matter; 1. International Law; 2. European Law; 3. German Law; 4. U.S. Law; Chapter 4: Limits to Exclusive Rights in the Internal Relationship Between Original and Derivative Rightholders; A. Provisions on the Transfer or Grant of Rights; B. Transfer or Grant of Rights to Third Parties in Practice; I. Musical Works: Publishing Agreements; 1. U.S.; 2. Germany; II. Sound Recordings/Performances and Phonograms: Recording Agreements and Producer Agreements; 1. U.S.; 2. Germany

متن يادداشت

B) Mandatory Exemption for Temporary Reproductions2. Communication to the Public, Making Available on Demand, Distribution and Rental: Confusing Qualification; II. Relevant Rights of Performers in Performances; III. Relevant Rights of Phonogram Producers in Phonograms; C. German Law; I. Relevant Rights of Authors in Musical Works; 1. General Broad Exploitation Rights: Sec. 15 UrhG; 2. Reproduction Right: Secs. 16 and 44a UrhG; 3. Making Available to the Public: Sec. 19a UrhG; 4. Broadcasting: Sec. 20 UrhG; 5. Distribution and Rental: Sec. 17 UrhG

متن يادداشت

II. Relevant Rights of Performers in PerformancesIII. Relevant Rights of Phonogram Producers in Phonograms; D.U.S. Law; I. Relevant Rights of Authors in Musical Works; 1. Reproduction Right: Sec. 106(1) CA; 2. Public Performance Right: Sec. 106(4) CA; 3. Distribution Right: Sec. 106(3) CA; II. Relevant Rights of Performers or Producers as ``Authors of a Sound Recording;́́ III. Special Case: Relevant Rights of Music Publishers and Record Companies as Owners of Copyright in Musical Works or Sound R ... ; E. Comparative Analysis; I. Rights of Authors in Musical Works; 1. International Law

بدون عنوان

0

بدون عنوان

8

بدون عنوان

8

بدون عنوان

8

بدون عنوان

8

متن يادداشت

This book analyzes regulatory models established in the field of online music distribution, and examines their consistency with the overarching objectives of copyright law. In order to do so, the book takes a deep dive into the provisions of international treaties, EU Directives as well as the German and US copyright systems and case law. It subsequently scrutinizes the identified regulatory models from the standpoint of the copyright's objectives with regard to incentives, rewards, a level playing field, and dissemination. Lastly, it endorses the improved market-based statutory license as a preferable instrument in the online music field. The book is intended for all readers with an interest in music copyright law. Part I will especially benefit copyright scholars and practitioners seeking in-depth insights into the current legal situation regarding streaming and downloading. In turn, Part II will above all appeal to scholars interested in "law and economics" and in the theoretical foundations of online music copyright. Policy recommendations can be found in Part III.

عنوان

Online Music Distribution - How Much Exclusivity Is Needed? : A Study of International, European, German and U.S. Copyright Systems and Their Objectives.

شماره استاندارد بين المللي کتاب و موسيقي

9783662596982

موضوع مستند نشده

Music and the Internet.

موضوع مستند نشده

Music-- Law and legislation.

موضوع مستند نشده

Music trade-- Law and legislation.

موضوع مستند نشده

Music and the Internet.

موضوع مستند نشده

Music-- Law and legislation.

موضوع مستند نشده

Music trade-- Law and legislation.

موضوع مستند نشده

LAW000000

موضوع مستند نشده

LNJ

موضوع مستند نشده

LNJ

شماره

ويراست

شماره رده

مستند نام اشخاص تاييد نشده

Malevanny, Nikita.

تاريخ عمليات

20200823193523.0

قواعد فهرست نويسي ( بخش توصيفي )

pn

نام الکترونيکي

نوع ماده

[Book]

تكميل شده

Y