عنوان
پدید آورنده
موضوع
رده
NC750 .D3413 1994
NC750
.
D3413
1994
کتابخانه
محل استقرار
شابک
شابک
0262041391
شابک
0262540770
شابک
9780262041393
شابک
9780262540773
عنوان و نام پديدآور
عنوان اصلي
The origin of perspective /
نام عام مواد
[Book]
نام نخستين پديدآور
Hubert Damisch ; translated by John Goodman.
وضعیت نشر و پخش و غیره
محل نشرو پخش و غیره
Cambridge, Mass. :
نام ناشر، پخش کننده و غيره
MIT Press,
تاریخ نشرو بخش و غیره
©1994.
مشخصات ظاهری
نام خاص و کميت اثر
xxiv, 477 pages :
ساير جزييات
illustrations ;
ابعاد
28 cm
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
pt. 1. This Point Assigned by Perspective. 1. At the Crossroads. 2. Perspective, a Thing of the Past? 3. Knowledge and Truth -- pt. 2. The Prototype. 4. The Tradition. 5. The Question of the Origin. 6. The Monstration. 7. The Painting's Reasons. 8. The View. 9. Geometry Made Real. 10. The Renaissance and the Repetition of the Original -- pt. 3. Suspended Representation. 11. "Et anticho in prospettiva" 12. Distancing Maneuvers. 13. The Reading at an Impasse. 14. To See Them, You Say, and Describe Them. 15. De prospectita pingendi. 16. The Loci of the Subject.
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
Damisch argues that if a theoretical analysis of perspective is possible, using all the tools of structuralist semiotics, it is only possible in the context of a close look at its appearance in history, beginning with the details of the "invention" of perspective.
متن يادداشت
In part a response to Panofsky's Perspective as Symbolic Form, The Origin of Perspective is much more. In France it is considered one of the most important works of art history to have appeared in the last twenty years. With the exception of Michel Foucault's analysis of Las Meninas, it is perhaps the first time a structuralist method such as the one developed by Claude Levi-Strauss in The Way of the Masks has been thoroughly and convincingly applied to Western art.
متن يادداشت
In the first part Damisch reassesses Panofsky's account, considered here as the theoretical starting block. While he appreciates the extraordinary depth of Panofsky's text, Damisch exposes its shortcomings, and prepares to show through various examples that perspective in painting is not simply a matter of verisimilitude, but of thought, the notion of "thought in painting" being at the core of his work.
متن يادداشت
In the third - and most pointedly structuralist - part, Damisch traces the history of the "perspective paradigm," with a full discussion of the theoretical implications of its constitutive moments, in a brilliant analysis of the three known panel paintings of the "ideal City" produced in the quattrocento, in Piero della Francesca's works, in Carpaccio's works, and finally in Velasquez's Las Meninas.
متن يادداشت
The second part of the book brings the historical invention of perspective into focus, discussing the experiments with mirrors made by Brunelleschi, connecting it to the history of consciousness via Jacques Lacan's definition of the "tableau" as "a configuration in which the subject as such gets its bearings."
متن يادداشت
The task Damisch has set for himself is to refute both the positivist critics, whose approach makes up the bulk of perspective studies and is based on a complete repression of Panofsky's early work, and the current pseudo-avant-gardist position (whether in the field of cinema studies or in literary criticism), which tends to disregard facts and theoretical analysis.
ویراست دیگر از اثر در قالب دیگر رسانه
عنوان
Origin of perspective.
عنوان قراردادی
عنوان قراردادي
Origine de la perspective.
زبان(وقتي جزئي از عنوان قراردادي باشد)
English
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Perspective.
موضوع مستند نشده
21.01 painting technique and materials.
موضوع مستند نشده
Perspectief.
موضوع مستند نشده
Perspective.
موضوع مستند نشده
Schilderkunst.
موضوع مستند نشده
Tekenkunst.
رده بندی ديویی
شماره
701/
.
82
ويراست
20
رده بندی کنگره
شماره رده
NC750
نشانه اثر
.
D3413
1994
سایر رده بندی ها
شماره رده
21
.
01
کد سيستم
bcl
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )
مستند نام اشخاص تاييد نشده
Damisch, Hubert.
نام شخص - (مسئولیت معنوی برابر )
مستند نام اشخاص تاييد نشده
Goodman, John.
مبدا اصلی
تاريخ عمليات
20200822105041.0
دسترسی و محل الکترونیکی
نام الکترونيکي
مطالعه متن کتاب اطلاعات رکورد کتابشناسی
نوع ماده
[Book]
اطلاعات دسترسی رکورد
تكميل شده
Y
