عنوان

Networking the Bloc :

شابک

0262038307

شابک

9780262038300

عنوان اصلي

Networking the Bloc :

نام عام مواد

[Book]

ساير اطلاعات عنواني

experimental art in Eastern Europe, 1965-1981 /

نام نخستين پديدآور

Klara Kemp-Welch.

محل نشرو پخش و غیره

Cambridge, Massachusetts :

نام ناشر، پخش کننده و غيره

The MIT Press,

تاریخ نشرو بخش و غیره

[2018]

نام خاص و کميت اثر

xi, 468 pages :

ساير جزييات

illustrations (some color) ;

ابعاد

24 cm

متن يادداشت

Includes bibliographical references and index.

متن يادداشت

Introduction : A useless game -- Part I. Mobilization : Una cosa nostra -- Keeping together -- Communication at a distance -- NET: an open proposition -- Aktuelle Kunst in Osteuropa -- Part II. Points of passage : Émigré encounters in Cologne -- Hungarians at Galeria Foksal -- International meetings at Balatonboglár -- Edinburgh arts -- An American vision -- Part III. Convergences : Alternative spaces and experimental poets -- The students' club circuit -- International artists' meetings -- Prague-Milan, Venice-Moscow, Moscow-Prague -- Conclusion : Networking the Bloc.

بدون عنوان

0

متن يادداشت

Throughout the 1970s, a network of artists emerged to bridge the East-West divide, and the no less rigid divides between the countries of the Eastern bloc. Originating with a series of creative initiatives by artists, art historians, and critics and centered in places like Budapest, Poznań, and Prague, this experimental dialogue involved Western participation but is today largely forgotten in the West. In Networking the Bloc, Klara Kemp-Welch vividly recaptures this lost chapter of art history, documenting an elaborate web of artistic connectivity that came about through a series of personal encounters, pioneering dialogues, collaborative projects, and cultural exchanges. Countering the conventional Cold War narrative of Eastern bloc isolation, Kemp-Welch shows how artistic ideas were relayed among like-minded artists across ideological boundaries and national frontiers. Much of the work created was collaborative, and personal encounters were at its heart. Drawing on archival documents and interviews with participants, Kemp-Welch focuses on the exchanges and projects themselves rather than the personalities involved. Each of the projects she examines relied for its realization on a network of contributors. She looks first at the mobilization of the network, from 1964 to 1972, exploring five pioneering cases: a friendship between a Slovak artist and a French critic, an artistic credo, an exhibition, a conceptual proposition, and a book. She then charts a series of way stations for experimental art from the Soviet bloc between 1972 and 1976 - points of distribution between studios, private homes, galleries, and certain cities. Finally, she investigates convergences - a succession of shared exhibitions and events in the second half of the 1970s in locations ranging from Prague to Milan to Moscow. Networking the Bloc, Kemp-Welch invites us to rethink the art of the late Cold War period from Eastern European perspectives. --

شماره انبار

W011013

موضوع مستند نشده

Artists-- Social networks-- Europe, Eastern-- History-- 20th century.

موضوع مستند نشده

Arts-- Europe, Eastern-- Experimental methods.

موضوع مستند نشده

ART-- European.

موضوع مستند نشده

Arts-- Experimental methods.

موضوع مستند نشده

Eastern Europe.

بدون عنوان

7

شماره

ويراست

شماره رده

نشانه اثر

مستند نام اشخاص تاييد نشده

Kemp-Welch, Klara

تاريخ عمليات

20200822104725.0

قواعد فهرست نويسي ( بخش توصيفي )

rda

نام الکترونيکي

نوع ماده

[Book]

تكميل شده

Y