یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
Cover; Pindarś Eyes: Visual and Material Culture in Epinician Poetry; Copyright; Acknowledgements; Contents; List of Abbreviations; Introduction: Eyes and `Iś; Eyes and `Iś: Deixis, Visuality, Ecphrasis, Referentiality; Memorialization, Transmission, Material Culture, Cultural Value; 1: Efficacy: Nemean 5 and Herodotus on Aeginetan Victors, Heroes, and Statues; I. Static Statues, Departing Poems; II. `Pindarś Splendid Pictures:́ Craft Analogies and Beyond; II. 1 Aborted Myth: Lyric Storytelling and Aesthetic Perception; II. 2 Narrative, Persuasion, Falsehood; III. Encomiastic Conclusions
متن يادداشت
II. 2 The Passion Within: Ecphrasis and the Opacity of Bacchylidean Lyric NarrativeII. 3 Eyesight in Argos: Vision and Material Culture in Pindar, Nemean 10; Conclusion; Bibliography; Index of Passages Cited; General Index
متن يادداشت
II. 3 The First Person ForegroundedII. 4 Architecture for Aiakos; II. 5 The Aiakeion as a Lyric Model; II. 6 Pindar and Ritual?; II. 7 Kleos and Subjectivity; II. 8 Ecphrasis, Deixis, Gesture; II. 9 The Epiphanic Voice; III. Attitudes, Visions, Materialities; III. 1 Haptics, Gesture, Epic Rhetoric; III. 2 Past and Future, Monumentality and Memorialization; IV. Conclusion; Coda: The Alcmaeon Encounter: Pythian 8.56-60; 3: Ecphrasis and the Politics of Time in Pythian 1; I. Unity and Coherence; II. Lyric and Hymnic Traditions: Framing Lyric Power
متن يادداشت
III. 1 Catalogues and Materialist VoicesIII. 2 Lyric Architectonics; IV. Herodotus on Aeginetan Efficacy: Heroes, Cult Statues, and Pindaric Reception; IV. 1 Moving Sculptures and Aeginetan Efficacy in Book 5; IV. 2 Cult Statues and Heroes at Salamis; IV. 3 Lampon and Pausanias; V. Conclusion; 2: Contact: Lyric Referentiality and Material Culture in Nemean 8; I. Young Love: Pindarś Touching Overtures; I.1 The Construction of Love; I.2 Erotic Contextualizability?; I.3 Sight, Touch, Desire, Imagination; II. Contacting Aiakos; II. 1 Contextual Connectivity; II. 2 Votive Reliefs
متن يادداشت
III. Ecphrasis, Signification, and `the Irruption of Time into PlayÍII. 1 On Interpreting Portents; III. 2 Volcanic Noise; IV. Time for Prayers; V. Tensions; VI. Revelation and Authority; VII. Noise Revisited; VIII. Conclusion: Monstrous Time; 4: Language and Vision in the Epinician Poets; I. The Decorative Box of Words: Simonides ́Danae Fragment; I.1 Ecphrastic Framing; I.2 Vividness: Language, Imagery, Colour; I.3 Aesthetics, Communication, and Response; I.4 Conclusion; II. Vision and Material Culture in Bacchylides and Pindar Compared; II. 1 `Look This Way with Your Mind́
بدون عنوان
0
بدون عنوان
8
بدون عنوان
8
بدون عنوان
8
بدون عنوان
8
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
'Pindar's Eyes' is a ground-breaking interdisciplinary exploration of the interactions between Greek lyric poetry and visual and material culture in the early 5th century BCE, drawing on case studies to open up analysis of the genre to the wider theme of aesthetic experience in early classical Greece.
یادداشتهای مربوط به مخاطبان
متن يادداشت
Specialized.
ویراست دیگر از اثر در قالب دیگر رسانه
شماره استاندارد بين المللي کتاب و موسيقي
9780198746379
نام شخص به منزله موضوع
موضوع مستند نشده
Pindarus,v522-v445.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Greek poetry-- History and criticism.
موضوع مستند نشده
Lyric poetry-- History and criticism.
موضوع مستند نشده
Material culture in literature.
موضوع مستند نشده
Greek poetry.
موضوع مستند نشده
Griechisch
موضوع مستند نشده
LITERARY CRITICISM/ Ancient & Classical.
موضوع مستند نشده
Lyric poetry.
موضوع مستند نشده
Lyrik
موضوع مستند نشده
Material culture in literature.
موضوع مستند نشده
Sachkultur
نام جغرافیایی به منزله موضوع
موضوع مستند نشده
Griechenland
بدون عنوان
7
مقوله موضوعی
موضوع مستند نشده
LIT-- 004190
رده بندی ديویی
شماره
884
.
01
ويراست
23
رده بندی کنگره
شماره رده
PA3093
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )