یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
Intro; Foreword; Acknowledgements; Contents; Editors and Contributors; List of Figures; Chapter 1 Introduction: Forms of the Precarious in the Cinemas of the Americas; Works Cited; Part I Self-reflexive Considerations on the Precarious; Chapter 2 Beyond Documentary?: Archives, Absences, and Rethinking Mexican "Nonfiction" Film, c. 1935-1955; Introduction; Charting Terrain: The Precariousness of (Documentary) Film Scholarship; Embracing Loss: The Precariousness of the Film Medium; Works Cited; Chapter 3 Precarious Images: Media and Historicity in Pablo Larraín's No
متن يادداشت
A King for PatagoniaA Celebration of Creativity; Self-reflexivity; Conclusion; Works Cited; Part II On Cultural Policies, Legislations and Funding; Chapter 6 Narrating Precariousness in Cuba Beyond Havana and the ICAIC: The Case of Televisión Serrana's Ariagna Fajardo and ¿A dónde vamos?; Introduction; Examining Precariousness Through Televisión Serrana; Redefining Rural Representations; ¿A dónde vamos?; Conclusion; Works Cited; Chapter 7 Precariousness in Contemporary Venezuelan Filmmaking: Pelo malo and Brecha en el silencio; Introduction
متن يادداشت
Chapter 9 Portfolio Careers and a New Common Cause: The Conditions for Screen Workers in PeruIntroduction; The Politics of Film Legislation; Neoliberal Reforms and Withdrawal of Resources; Political Turmoil: Fragmentation and New Opportunities; Cinema Legislation and the New Millennium: Fragmentation and Suspicion; Instability, Uncertainty, Opportunity; Works Cited; Chapter 10 Rethinking Contemporary Ecuadorian Cinema; Introduction; State of the Art: Growth and Precariousness; Sicarios manabitas: The Precarious Other; Creativity and Precarity; Conclusion; Works Cited
متن يادداشت
Sociopolitical Context and Developments in Cinema's Legislation and InfrastructureProduction and Reception in the Cases of Pelo malo and Brecha en el silencio; The Aesthetics and Politics of Pelo malo and Brecha en el silencio; Conclusion; Works Cited; Chapter 8 The Politics of Precariousness and Resilience in Contemporary Colombian Films; Cinema in the Colombian Context; Legislation and the Multicultural Paradigm; Local and Global Trajectories; A Focus on Loss, Historically Situated; Three Films on Precariousness; Works Cited
متن يادداشت
Video in the Digital LandscapeNo-Presenting the Past; Works Cited; Chapter 4 The Future's Reverse: Dystopia and Precarity in Adirley Queirós's Cinema; Introduction: City and Dystopia in Brazilian Contemporary Cinema; Brasília and Ceilândia, Paradoxes of Utopia; A cidade é uma só?: Deviating from the Archive, Reinventing the Present; Branco sai, preto fica-Memory Against Utopia; Final Considerations; Works Cited; Chapter 5 The Never-Ending Movie: Precariousness and Self-reflexivity in Contemporary Argentine Cinema; Introduction; Conceptualizations of the Precarious and Creative Labor