Hyper-specializing in saxophone using acoustical insight and deep listening skills /
نام عام مواد
[Book]
نام نخستين پديدآور
Jonas Braasch.
وضعیت نشر و پخش و غیره
محل نشرو پخش و غیره
Cham, Switzerland :
نام ناشر، پخش کننده و غيره
Springer,
تاریخ نشرو بخش و غیره
[2019]
مشخصات ظاهری
نام خاص و کميت اثر
1 online resource :
ساير جزييات
illustrations
فروست
عنوان فروست
Current research in systematic musicology ;
مشخصه جلد
volume 6
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
Intro; Preface; Contents; About the Author; 1 Introduction; 2 Acoustics of the Saxophone; 2.1 Introduction; 2.2 The Resonator; 2.2.1 The Cylindrical Resonator; 2.2.2 The Conical Resonator; 2.3 The Tone Generator; 2.3.1 General Mechanisms; 2.3.2 Acoustical Analysis; 2.4 Acoustic Coupling of Tone Generator and Resonator System; 2.4.1 General Thoughts; 2.4.2 Physical Coupled Reed/Resonator Model; 2.5 The Role of the Vocal Tract; 2.5.1 Shaping the Instrument's Timbre; 2.5.2 Intonation Using Super Formants; 2.5.3 Articulation; 3 Extended Techniques for the Saxophone; 3.1 Altissimo Range
متن يادداشت
3.2 Circular Breathing3.3 Singing and Playing; 4 Deep Listening; 4.1 Introduction; 4.2 Hearing and Listening; 4.2.1 General Definitions and Background; 4.2.2 Focal and Global Listening; 4.2.3 Auditory Scene Analysis; 4.2.4 Transparent and Fused Music Ensembles; 4.3 Intuitive Listening; 4.3.1 Intuitive Approach to Music; 4.3.2 Embodiment; 4.3.3 Enauditioning Situations; 4.4 Listening and Understanding; 4.4.1 Background; 4.4.2 Sound Quality and Assigning Meaning; 4.4.3 Breaking Cultural Conventions; 4.5 Creating and Adapting to Musical Situations; 4.5.1 The Freedom of Shared Responsibility
متن يادداشت
4.5.2 The New Virtuoso Performer5 Grafted Instruments; 5.1 Introduction; 5.2 Historical Background on the Saxophone; 5.3 The Sarrusophone; 5.3.1 Historical Background; 5.3.2 Construction; 5.3.3 General Playing Instructions; 5.3.4 Songs; 5.4 The Cornett; 5.4.1 Historical Background; 5.4.2 On the Use of the Saxophone as a Cornett; 5.4.3 Construction; 5.4.4 Embouchure; 5.4.5 Exercises; 5.4.6 Cornett Repertoire; 5.5 Rim Flute; 5.5.1 Historical Context; 5.5.2 Mouthpiece Adapter; 5.5.3 General Playing Instructions; 5.5.4 Daily Exercises; 5.5.5 Songs; 5.6 Didjeridu; 5.6.1 Historical Context
متن يادداشت
5.6.2 Construction5.6.3 General Playing Instructions; 5.7 Bawu; 5.7.1 Classification; 5.7.2 Construction; 5.7.3 General Playing Instructions; 5.7.4 Songs; 5.8 Duduk; 5.8.1 Historical Background; 5.8.2 Construction; 5.8.3 General Playing Instructions; 5.8.4 Songs; 6 The Sonic Circle; 6.1 On Diversity and Cultural Equality; 6.2 Tracing Our Ancestral Voices Back to Intuitive and Rational Thinking; 6.3 Traditional Social Roles for Wind-Instrument Players; 6.4 The Sonic Circle; 6.5 Practicing Through the Circle of Sounds; 6.6 Applying Sound Quality; 6.6.1 Absolute Sound Quality Assessment
متن يادداشت
6.6.2 Sound Quality of the Instrument Variations6.6.3 Character Profile Suitability; 6.7 Case Study 1: The Stiff Cow Leads the Way; 6.8 Case Study 2: Doppelgaenger; 7 Sound Radiation, Recording, and Environment; 8 Epilogue; References; Index
بدون عنوان
0
بدون عنوان
8
بدون عنوان
8
بدون عنوان
8
بدون عنوان
8
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
This book presents a novel method of grafting musical wind instruments by exchanging an instrument's standard mouthpiece with different tone generators. Using the concrete example of the soprano saxophone, it describes how, with six other tone generators, including brass, double reed, and free reed mechanisms, the saxophone can be extended to nearly every wind instrument category in the von Hornbostel and Sachs classification system. The book demonstrates how it is possible to play these instrument variations with high proficiency, and describes the method of hyper-specialization, including acoustical insights, conservatory training methods and the underlying philosophy. The latter is based on the cultural traditions of the different wind instrument prototypes and the Deep Listening philosophy of cultivating internal diversity, and approach that leads to a new level of wind instrument virtuosity that offers great timbral variety combined with the flexibility of a regular acoustic wind instrument.
یادداشتهای مربوط به سفارشات
منبع سفارش / آدرس اشتراک
Springer Nature
شماره انبار
com.springer.onix.9783030150464
ویراست دیگر از اثر در قالب دیگر رسانه
شماره استاندارد بين المللي کتاب و موسيقي
9783030150457
شماره استاندارد بين المللي کتاب و موسيقي
9783030150471
شماره استاندارد بين المللي کتاب و موسيقي
9783030150488
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Music-- Acoustics and physics.
موضوع مستند نشده
Saxophone-- Acoustics.
موضوع مستند نشده
Saxophone mouthpieces.
موضوع مستند نشده
Mundstück
موضوع مستند نشده
Music-- Acoustics and physics.
موضوع مستند نشده
MUSIC-- Musical Instruments-- Woodwinds.
موضوع مستند نشده
Musikalische Akustik
موضوع مستند نشده
Musikwahrnehmung
موضوع مستند نشده
Saxofon
موضوع مستند نشده
Saxofonbau
موضوع مستند نشده
Saxofonspiel
موضوع مستند نشده
Saxophone mouthpieces.
موضوع مستند نشده
Spezialisierung
مقوله موضوعی
موضوع مستند نشده
MUS-- 023050
موضوع مستند نشده
TTA
موضوع مستند نشده
TTA
رده بندی ديویی
شماره
788
.
72
ويراست
23
رده بندی کنگره
شماره رده
ML978
سایر رده بندی ها
شماره رده
MUS
کد سيستم
fid
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )