عنوان

The Classic Short Story, 1870-1925 :

شابک

1909254770

شابک

1909254789

شابک

1909254797

شابک

9781909254770

شابک

9781909254787

شابک

9781909254794

شابک اشتباه

1909254754

شابک اشتباه

1909254762

شابک اشتباه

9781909254756

شابک اشتباه

9781909254763

عنوان اصلي

The Classic Short Story, 1870-1925 :

نام عام مواد

[Book]

ساير اطلاعات عنواني

Theory of a Genre /

نام نخستين پديدآور

Florence Goyet.

محل نشرو پخش و غیره

Cambridge, UK :

نام ناشر، پخش کننده و غيره

Open Book Publishers,

تاریخ نشرو بخش و غیره

2014.

نام خاص و کميت اثر

1 online resource (210 pages)

متن يادداشت

Includes bibliographical references (197-206) and index.

متن يادداشت

Table of Contents -- Acknowledgements -- Introduction -- PART I: STRUCTURE -- 1. Paroxystic Characterisation -- Extremes in the fantastic short story -- 2. Antithetic Structure -- Secondary tensions -- Editing antithetic tension: Maupassant and James -- 3. Ending with a Twist -- The “twist-in-the-tail� and antithetic tension -- The “Twist-in-the-tail� and retroreading -- “Open� texts and tension -- 4. The Tools of Brevity -- Preconstructed material -- Character types -- Recurring characters and empty characters -- Tight focus

متن يادداشت

An explicit distanceThe use of types: subversion or immersion? -- “Deceptive representations� of reality -- The great man -- “We are simply the case�: James and abstract entities -- Reading at face value: the double distance -- 9. Dialogue and Character Discreditation -- Direct and indirect speech: Verga�s novel versus short stories -- Dialect and distancing -- Foreign terms -- 10. The Narrator, the Reflector and the Reader -- Unreliable narrators and reflectors -- Reliable narrators and reflectors -- 11. Distance and Emotion

متن يادداشت

James3end -- Chek2 -- Mau2 -- retro -- Chek3 -- fan3 -- Mau3 -- read1 -- precon -- read2 -- type -- type1 -- read3 -- Chek5 -- prov -- Mau4 -- cyc -- emo -- James5 -- James4 -- type2 -- Mau5 -- James6 -- hyp -- fait -- novel -- news -- Mau6 -- news1 -- Gil -- Fanful -- Ver2 -- Ver3 -- Chek6 -- sat -- int -- read4 -- Joyce -- Prou -- Mau7 -- read5 -- News2

متن يادداشت

Permanence of types5. Conclusion to Part I -- Hypotyposis and schematisation -- Short stories, sensational news items and serials -- The short story: privileged object of narratology -- PART II: MEDIA -- 6. Exoticism in the Classic Short Story -- The role of the press -- Exotic subjects -- The constraints of the newspapers -- Exceptions to the rule -- 7. Short Stories and the Travelogue -- Praise of nature, criticism of culture -- From vision to judgement: guidelines for description -- PART III: READER, CHARACTER AND AUTHOR -- 8. A Foreign World

متن يادداشت

The short story with a dilemmaReaders� emotional response to the classic short story -- 12. Conclusion to Part III: Are Dostoevsky�s Short Stories Polyphonic? -- Epilogue: Beyond the Classic Short Story -- Lengthy stories: the long Yvette after the brief Yveline -- Fantastic tales: the deconstruction of the self -- Authors at a crossroads -- Bibliography -- Index -- read -- Naturalism -- Parox -- Verga -- James1 -- Chek -- fan2 -- Mau -- Stev -- ohen -- Verg1 -- Tieck -- Akutagawa1 -- James2 -- Akutagawa2 -- Chek1 -- Mau1 -- James

بدون عنوان

0

بدون عنوان

8

بدون عنوان

8

بدون عنوان

8

بدون عنوان

8

متن يادداشت

"The ability to construct a nuanced narrative or complex character in the constrained form of the short story has sometimes been seen as the ultimate test of an author's creativity. Yet during the time when the short story was at its most popular--the late nineteenth and early twentieth centuries--even the greatest writers followed strict generic conventions that were far from subtle. This expanded and updated translation of Florence Goyet's influential La Nouvelle, 1870-1925: Description d'un genre à son apogée (Paris, 1993) is the only study to focus exclusively on this classic period across different continents. Ranging through French, English, Italian, Russian and Japanese writing--particularly the stories of Guy de Maupassant, Henry James, Giovanni Verga, Anton Chekhov and Akutagawa Ryunosuke--Goyet shows that these authors were able to create brilliant and successful short stories using the very simple 'tools of brevity' of that period. In this challenging and far-reaching study, Goyet looks at classic short stories in the context in which they were read at the time: cheap newspapers and higher-end periodicals. She demonstrates that, despite the apparent intention of these stories to question bourgeois ideals, they mostly affirmed the prejudices of their readers. In doing so, her book forces us to re-think our preconceptions about this 'forgotten' genre."--Publisher's website.

منبع سفارش / آدرس اشتراک

JSTOR

شماره انبار

22573/ctt5qrchw

شماره استاندارد بين المللي کتاب و موسيقي

9781909254756 (pbk)

شماره استاندارد بين المللي کتاب و موسيقي

9781909254763 (hbk)

موضوع مستند نشده

Literary form-- History.

موضوع مستند نشده

Literature-- History and criticism-- Theory, etc.

موضوع مستند نشده

Literature-- Philosophy.

موضوع مستند نشده

Fiction and related items.

موضوع مستند نشده

Fiction: special features.

موضوع مستند نشده

LITERARY CRITICISM-- Semiotics & Theory.

موضوع مستند نشده

Literary form.

موضوع مستند نشده

Literary studies: fiction, novelists and prose writers.

موضوع مستند نشده

Literature and literary studies.

موضوع مستند نشده

Literature-- Philosophy.

موضوع مستند نشده

Literature-- Theory, etc.

موضوع مستند نشده

Literature: history and criticism.

موضوع مستند نشده

Short stories.

موضوع مستند نشده

LIT-- 006000

شماره

ويراست

شماره رده

مستند نام اشخاص تاييد نشده

Goyet, Florence

تاريخ عمليات

20200823063319.0

قواعد فهرست نويسي ( بخش توصيفي )

pn

نام الکترونيکي

نوع ماده

[Book]

تكميل شده

Y