science, visuality, and representing the real in nineteenth-century Japan /
نام نخستين پديدآور
Maki Fukuoka.
وضعیت نشر و پخش و غیره
محل نشرو پخش و غیره
Stanford, California :
نام ناشر، پخش کننده و غيره
Stanford University Press,
تاریخ نشرو بخش و غیره
2012.
مشخصات ظاهری
نام خاص و کميت اثر
1 online resource (xi, 272 pages) :
ساير جزييات
illustrations
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages 243-253) and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
Cover; Copyright; Title Page; Contents; List of Figures; Acknowledgments; Note on Names; Introduction; 1. The Eye of the Shōhyaku-sha: Between Seeing and Knowing; 2. Ways of Conceptualizing the Real: Scripts, Names, and Materia Medica; 3. Modes of Observation and the Real: Exhibition Practices of the Shōhyaku-sha; Color Plates; 4. Picturing the Real: Questions of Fidelity and Processes of Pictorial Representation; 5. Shashin in the Capital: The Last Stage of Metamorphosis; Appendix: Takahashi Yuichi, "Yōgakyoku tekigen" (1865); Notes; Glossary; Works Cited; Index.
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
This work provides an exploration of the process by which the Shohyaku-sha shaped the concept of shashin. As such, it disrupts the dominant narratives of photography, art, and science in Japan, providing a prehistory of Japanese photography that requires the accepted history of the discipline to be rewritten.
یادداشتهای مربوط به سفارشات
منبع سفارش / آدرس اشتراک
JSTOR
شماره انبار
22573/ctvqrjsgh
ویراست دیگر از اثر در قالب دیگر رسانه
عنوان
Premise of Fidelity : Science, Visuality and Representing the Real in Nineteenth-Century Japan.