یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
Formal elements of instrumental improvisation: evidence from written documentation, 1770-1840 / Angela Carone -- Musical form in improvisation treatises in the age of Beethoven / Jan Philipp Sprick -- "La solita cadenza"?: vocal improvisation, embellishments and fioriture in opera from the late eighteenth to the first half of the ninetheenth century / Torsten Mario Augenstein -- "Free forms" in German music theory and the Romantic conception of time / Gianmario Borio -- Fantastical forms: formal functionality in improvisational genres of the Classical era / William E. Caplin -- Four piano fantasias by Hummel: improvisation, motivic processing, harmonic enterprise and the "memory function" / Rohan H. Stewart-MacDonald -- A step to the "Wanderer": Schubert's early Fantasia-Sonata in C minor (D. 48) / Pieter Bergé -- Didacticism and display in the capriccio and prelude for violin, 1785-1840 / Catherine Coppola -- "Quasi una fantasia"?: the legacy of improvisational practice in Ludwig van Beethoven's piano sonatas / Hans-Joachim Hinrichsen -- Improvisation practices in Beethoven's Kleinere Stücke / Marco Targa -- The fate of the antepenultimate: fantasy and closure in the Classical style / Scott Burnham -- "Ad arbitrio dei cantanti": vocal cadenzas and ornamentation in early nineteenth-century opera / Giorgio Pagannone.