xix, 387 pages : illustrations (chiefly color) ; 24 cm
يادداشت کلی
متن يادداشت
Based on the author's thesis (doctoral--University of London, 2012) presented under the title: Manhua artists in Shanghai 1926-1938 : from art-for-art's-sake to wartime propaganda.
یادداشتهای مربوط به مندرجات
متن يادداشت
part 1. The beginnings of the modern Chinese cartoon --; part 2. Adoption of foreign models in art and literature --; part 3. The dissemination of Chinese political art.
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
In 'A Modern Miscellany: Shanghai Cartoon Artists, Shao Xunmei's Circle and the Travels of Jack Chen, 1926-1938' Paul Bevan explores how the cartoon (manhua) emerged from its place in the Chinese modern art world to become a propaganda tool in the hands of left-wing artists. The artists involved in what was largely a transcultural phenomenon were an eclectic group working in the areas of fashion and commercial art and design. The book demonstrates that during the build up to all-out war the cartoon was not only important in the sphere of Shanghai popular culture in the eyes of the publishers and readers of pictorial magazines but that it occupied a central place in the primary discourse of Chinese modern art history"--Back cover.
عنوان اصلی به زبان دیگر
عنوان اصلي به زبان ديگر
Shanghai cartoon artists, Shao Xunmei's circle and the travels of Jack Chen, 1926-1938
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Caricatures and cartoons -- China -- Shanghai -- History -- 20th century.
موضوع مستند نشده
Chen, Jack, -- 1908-1995
موضوع مستند نشده
Shao, Xunmei, -- 1906-1968 -- Friends and associates
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )