Cover; The Damned Art; Copyright; Contents; Preface; 1. Evident authority and authoritative evidence: The Malleus Maleficarum; 2. Witchcraft and magic in Renaissance Italy: Gianfrancesco Pico and his Strix; 3. Johann Weyer's De Praestigiis Daemonum: Unsystematic psychopathology; 4. Jean Bodin's De la Demonomanie Des Sorciers: The logic of persecution; 5. Reginald Scot's Discoverie of Witchcraft: Scepticism and Sadduceeism; 6. A Tudor anthropologist: George Gifford's Discourse and Dialogue; 7. King James's Daemonologie: Witchcraft and kingship. 8. Pierre de Lancre's Tableau de L'lnconstance des Mauvais Anges et Demons: The sabbat sensationalised9. Cotton Mather's Wonders of the Invisible World: Some metamorphoses of Salem witchcraft; 10. Two late Scottish witchcraft tracts: Witch-Craft Proven and The Tryal of Witchcraft; Epilogue: The desiderata of disbelief; Index.
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
This book approaches witchcraft and demonology through literary records. The works discussed deal with the contemporary theories propounded by those who sought either to justify, or to refute persecution. Eight contributors of differing interests, a nd with different approaches to their subject, examine a selection of important, representative witchcraft texts - published in England, France, Germany, Italy and America - setting them within their intellectual context and analysing both their style and argument.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Witchcraft.
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )