یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (p. [293]-311) and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
Introduction: The Work of Subjectivity -- Pt. I. Pasolini's Public Work. 1. The Contours of a Career. 2. Projects in Journalism. 3. Vocations -- Pt. II. Poetry: A Movement of Forms. 4. 'Who is me': The Impulse to Autobiography. 5. 'Pura luce': A Vision of History. 6. 'Un folle identificarsi': Figuring the Self. 7. 'Mio corpo insepolto': The Body and the Father. 8. Poetry into Cinema -- Pt. III. Cinema: Tracking the Subject. 9. Authority and Inscription. 10. Style and Technique. 11. Genesis and Intertextuality. 12. Metaphor. 13. Being and Film-Time. 14. Spectatorship -- Pt. IV. Unfinished Endings. 15. Petrolio: Self and Form.
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
In the twenty years since his death, Pier Paolo Pasolini (1922-1975) has grown into a figure of defining importance in the history of post-war Italian literary and cinematographic culture. His extraordinary and continuing impact is explained by his capacity to appropriate and transform traditional genres, media, languages, and forms of art, and to bring them into stark confrontation with the deeply fractured social, political, and sexual landscape of modern Italy. Pasolini: Forms of Subjectivity aims at a global reassessment of Pasolini, examining in turn his journalism and essays, his poetry, his film theory and practice, and his sprawling, posthumously published narrative fragment Petrolio, all from the perspective of the complex workings of subjectivity which animate every aspect of his work. Gordon provides a conceptual and interpretative framework which redraws the boundaries of our understanding of Pasolini's work.
نام شخص به منزله موضوع
موضوع مستند نشده
Pasolini, Pier Paolo,1922-1975-- Criticism and interpretation.
رده بندی کنگره
شماره رده
PQ4835
.
A48
نشانه اثر
Z6885
1996
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )