vampires, cyborgs, and the culture of consumption /
نام نخستين پديدآور
Rob Latham
وضعیت نشر و پخش و غیره
محل نشرو پخش و غیره
Chicago :
نام ناشر، پخش کننده و غيره
University of Chicago Press,
تاریخ نشرو بخش و غیره
2002
مشخصات ظاهری
نام خاص و کميت اثر
x, 321 pages :
ساير جزييات
illustrations ;
ابعاد
24 cm
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages 263-303) and index
متن يادداشت
Includes bibliographical references and index
یادداشتهای مربوط به مندرجات
متن يادداشت
List of Illustrations -- Acknowledgments -- Introduction -- The Cybernetic Vampire of Consumer -- Youth Culture -- The Factory of the Code -- Fordism, Post-Fordism, and Youth -- Consuming Youth -- Youth Fetishism: The Lost Boys -- Cruise Mallworld -- The Dual Metaphorics of Consumer Vampirism -- The Trauma of Consumption -- Vidkids Go Malling -- Teen Idols, Fashion Victims, and Proletarian Shoppers -- Dreams of Social Flying: The Yuppie-Slacker -- Dialectic -- Morbid Economies -- The Phenomenology of Unbridled Consumption -- Punk Nihilists and Donner Party Barbies -- Voracious Androgynes: The Vampire -- Lestat on MTV -- Insatiable Narcissism -- The Consuming Hungers of Ziggy Stardust -- Queer Nations -- Microserfing the Third Wave: The Dark Side of the Sunrise Industries -- Postindustrialism and "Flexible" -- Capitalism -- Homebrews and Burnouts in Silicon Valley -- Modular Selves and Posthuman Consumers -- Fast Sofas and Cyborg Couch Potatoes: Generation X on the Infobahn -- Couch Commandos versus Zombie Systems -- Bar-Coding Digital Youth -- On the Road and On the Screen -- Information Road Narratives -- Teenage Mutant Cyborg Vampires: Consumption As Prosthesis -- Hacking the Codez of Digital Capitalism -- Cyberpunks and Technopagans -- Live-Wired Teen Idols and Pretty Boy Crossovers -- Decadent Utopias of Hyperconsumerism -- Notes -- Index
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
From the novels of Anne Rice to The Lost Boys, vampires and cyborgs have become strikingly visible figures within popular culture. In this work Rob Latham explains why, giving a perspective on youth culture and the media