یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Filmography: pages 247-259
متن يادداشت
Includes bibliographical references (pages 273-278) and index
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
In this study, the first in the English language to consider Luchino Visconti's entire oeuvre, Henry Bacon examines the films of one of Italy's preeminent filmmakers, against the cultural, historical, and biographical contexts in which they were made
متن يادداشت
The author focuses on three fundamental themes of Visconti's cinematic output: his varying styles and strategies of audiovisual narration, which create enthralling images of individuals and societies at a given moment in their development; his ability to take literary works and other cultural influences into his possession and recreate them as a highly individualized cinema; and the interplay between the filmmaker's intense feeling for life, art, and beauty and his critical detachment, disillusion, and painful awareness of death and decay. In Bacon's analysis Visconti emerges as a twentieth-century inheritor and renewer of the nineteenth-century narrative tradition, especially that of the novel and the opera
نام شخص به منزله موضوع
موضوع مستند نشده
Visconti, Luchino,1906-1976-- Criticism and interpretation
رده بندی ديویی
شماره
791
.
43/0233/092
ويراست
21
رده بندی کنگره
شماره رده
PN1998
.
3
.
V57
نشانه اثر
B34
1998
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )