Preface: the Uncle Fester principle; 1. Satire and its discontents; 2. Modernism's story of feeling; 3. The rule of outrage: Evelyn Waugh's Vile Bodies; 4. Laughter and fear in A Handful of Dust; 5. Cold Comfort Farm and mental life; 6. Nathanael West and the mystery of feeling; 7. Nightwood and the ends of satire; 8. Beckett's authoritarian personalities
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
"In this groundbreaking study, Jonathan Greenberg locates a satiric sensibility at the heart of the modern. By promoting an antisentimental education, modernism denied the authority of emotion to guarantee moral and literary value. Instead, it fostered sophisticated, detached and apparently cruel attitudes toward pain and suffering. This sensibility challenged the novel's humanistic tradition, set ethics and aesthetics into conflict and fundamentally altered the ways that we know and feel. Through lively and original readings of works by Evelyn Waugh, Stella Gibbons, Nathanael West, Djuna Barnes, Samuel Beckett and others, this book analyzes a body of literature - late modernist satire - that can appear by turns aloof, sadistic, hilarious, ironic and poignant, but which continually questions inherited modes of feeling. By recognizing the centrality of satire to modernist aesthetics, Greenberg offers not only a new chapter in the history of satire but a persuasive new idea of what made modernism modern"--
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Emotions in literature
موضوع مستند نشده
Modernism (Literature)
موضوع مستند نشده
Satire-- History and criticism
رده بندی ديویی
شماره
809
.
3/9112
ويراست
22
رده بندی کنگره
شماره رده
PN56
.
M54
نشانه اثر
G75
2011
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )