عنوان

Wagner and the novel :

شابک

9042035218 (pbk.)

شابک

9789042035218 (pbk.)

شابک اشتباه

9401207968 (e-book)

شابک اشتباه

9789401207966 (e-book)

شماره

dltt

عنوان اصلي

Wagner and the novel :

نام عام مواد

[Book]

ساير اطلاعات عنواني

Wagner's operas and the European realist novel : an exploration of genre /

نام نخستين پديدآور

Hugh Ridley

محل نشرو پخش و غیره

New York :

نام ناشر، پخش کننده و غيره

Rodopi,

تاریخ نشرو بخش و غیره

2012

نام خاص و کميت اثر

235 p. ;

ابعاد

23 cm

عنوان فروست

Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft,

مشخصه جلد

156

شاپا ي ISSN فروست

0929-6999 ;

متن يادداشت

Includes bibliographical references and index

متن يادداشت

Establishing the key-signature -- Wagner and the novel : the existing view -- Forms of collaboration across the genres -- Wagner and the realist novel : mostly about Die Meistersinger with some Ring -- Questions, answers and body language in Wagner and the realist novel -- Wagner and Freudian psychology -- Opera, novel and the nation

بدون عنوان

0

متن يادداشت

"This study bridges literature and music at an exciting and controversial point, offering the lover of music and literature and the specialist reader an insight into the relationship between Wagner's operas and the nineteenth century novel, including comparisons with Rigoletto and Der Rosenkavalier in their evolution from other forms. It discusses matters of genre and national tradition, placing Wagner's works in the heritage of the European Enlightenment. Comparisons of Wagner's works with the novel have been fleeting, denoting only their length and complexity. Examining in principle and in detail the proximity of Wagner's themes and techniques to the practices of the Realist novel, this study sheds original light on major issues of Wagner's works and on opera as genre. The book trawls extensively in two research fields. It looks to the established Wagner literature for understandings of the musical procedures which map his works onto the prose fiction, while reading Wagner's operas against the backdrop of the European novel, rather than against German Romantic fiction. It revisits Adorno's music sociology and his seminal study of Wagner, but repositions many elements of his argument. Unusually, this book adopts a critical stance to Nietzsche's view of Wagner. In marked contrast to Nietzsche, the study regards parallels between Wagner and Flaubert as an enrichment of our understanding of Wagner's achievement. The book concludes with a major question of European cultural history: why it is that--in common with Italy, but in marked contrast to France or England--Germany's most representative works in the nineteenth century are operas rather than novels"--Back cover

موضوع مستند نشده

Wagner, Richard,1813-1883., Operas

موضوع مستند نشده

European fiction-- 19th century-- History and criticism

موضوع مستند نشده

Music and literature-- History-- 19th century

موضوع مستند نشده

Opera-- Europe-- 19th century

موضوع مستند نشده

Realism in literature

موضوع مستند نشده

PN

موضوع مستند نشده

PT

شماره

مستند نام اشخاص تاييد نشده

Ridley, Hugh

تاريخ عمليات

20121003113542.0

نام الکترونيکي

نوع ماده

[Book]

تكميل شده

Y