The instrumental music of Schmeltzer, Biber, Muffat and their contemporaries /
نام عام مواد
[Book]
نام نخستين پديدآور
Charles E. Brewer
مشخصات ظاهری
نام خاص و کميت اثر
xxvi, 411 pages :
ساير جزييات
illustrations, music ;
ابعاد
24 cm
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages 377-401) and index
یادداشتهای مربوط به مندرجات
متن يادداشت
Stylus phantasticus and stylus hyporchematicus : concepts of instrumental music in late seventeenth-century Central and East-Central Europe -- Johann Heinrich Schmeltzer (c.1620/23-1680) and music at the Viennese court -- The chapel of Prince-Bishop Carl Liechtenstein-Castelcorn -- Biber and Muffat at Salzburg -- The dissemination and dissolution of the stylus phantasticus
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
Based on primary sources, many of which have never been published or examined in detail, this book examines the music of the late seventeenth-century composers, Biber, Schmeltzer and Muffat, and the compositions preserved in the extensive Moravian archives in Kromeriz. These works have never before been fully examined in the cultural and conceptual contexts of their time. Charles E. Brewer sets these composers and their music within a framework that first examines the basic Baroque concepts of instrumental style, and then provides a context for the specific works. The dances of Schmeltzer, for example, functioned both as incidental music in Viennese operas and as music for elaborate court pantomimes and balls. These same cultural practices also account for some of Biber's most programmatic music, which accompanied similar entertainments in Kromeriz and Salzburg. The many sonatas by these composers have also been misunderstood by not being placed in a context where it was normal to be entertained in church and edified in court. Many of the works discussed here remain unpublished but have, in recent years, been recorded. This book enhances our understanding and appreciation of these recordings by providing an analysis of the context in which the works were first performed [Publisher description]
نام شخص به منزله موضوع
موضوع مستند نشده
Biber, Heinrich Ignaz Franz,1644-1704-- Criticism and interpretation
موضوع مستند نشده
Liechtenstein-Castelcorn, Karl,-1695
موضوع مستند نشده
Muffat, Georg,1653-1704-- Criticism and interpretation
موضوع مستند نشده
Schmelzer, Johann Heinrich,approximately 1623-1680-- Criticism and interpretation
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Instrumental music-- Austria-- 17th century-- History and criticism
موضوع مستند نشده
Music-- Philosophy and aesthetics-- 17th century
مقوله موضوعی
موضوع مستند نشده
s1zz
رده بندی ديویی
شماره
780
.
92/2
ويراست
22
رده بندی کنگره
شماره رده
ML246
.
2
نشانه اثر
.
B74
2011
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )