aesthetic and political positions in the modernist debate, 1917-1962 /
نام نخستين پديدآور
by John W. Maerhofer
مشخصات ظاهری
نام خاص و کميت اثر
x, 215 pages ;
ابعاد
22 cm
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages [199]-212) and index
یادداشتهای مربوط به مندرجات
متن يادداشت
The theoretical margins of the historical avant-garde. Spectrums : Adorno, Bürger, and Suleiman ; Revolution-as-signifier : aesthetics and politics after 1917 ; Toward a Leninist theory of art : vanguardism and the role of the committed artist, 1917-1934 -- Art, propaganda, and the manifesto, 1924-1938. Ideology and the praxis of the manifesto ; The strange diversion : communism in the service of the Surrealist revolution ; Socialist realism and the cult of the avant-garde artist -- Vanguardism : left and right movements, 1930-1948. Engineering souls : Louis Aragon and réalisme socialiste ; Ezra Pound, Futurism, and the culture of Fascism ; Towards a revolutionary Formalism : the vanguardist poetics of Louis Zukofsky -- Third world revolutions and the crisis of European aesthetic and political vanguardism, 1950-1962. Vanguardism and third world revolutionary discourse ; Aimé Césaire, Négritude, and vanguardist crisis ; The localization of the vanguard : Frantz Fanon and the Algerian revolution -- Towards a conclusion : late capitalism and the historical context of the neo-avant-garde
بدون عنوان
0
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Aesthetics, Modern-- 20th century
موضوع مستند نشده
Art-- Political aspects
موضوع مستند نشده
Avant-garde (Aesthetics)
موضوع مستند نشده
Intellectual life-- History-- 20th century
موضوع مستند نشده
Modernism (Aesthetics)
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )