عنوان

The madness of vision :

شابک

0821420194 (hardback)

شابک

9780821420195 (hardback)

شابک اشتباه

9780821444375 (electronic)

شماره

dltt

عنوان اصلي

The madness of vision :

نام عام مواد

[Book]

ساير اطلاعات عنواني

on baroque aesthetics /

نام نخستين پديدآور

Christine Buci-Glucksmann ; translated by Dorothy Z. Baker

نام خاص و کميت اثر

xxii, 172 pages :

ساير جزييات

illustrations ;

ابعاد

24 cm

عنوان فروست

Series in continental thought ;

مشخصه جلد

44

متن يادداشت

Translated from the French

متن يادداشت

Includes bibliographical references and index

متن يادداشت

Prelude : a "Je ne Sais Quoi -- " -- The stage of vision -- The work of the gaze -- Seeingness; or, The eye of the phantasm -- The rhetorical telescope I : Il Mirabile, il Furore -- The rhetorical telescope II : figures of nothingness -- Palimpsests of the ungazeable -- Finale : the burning of vision

بدون عنوان

0

متن يادداشت

"Christine Buci-Glucksmann's The Madness of Vision is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanalysis, Renaissance studies in optics, and twentieth-century mathematics, the author asserts the materiality of the body and world in her aesthetic theory. All vision is embodied vision, with the body and the emotions continually at play on the visual field. Thus vision, once considered a clear, uniform, and totalizing way of understanding the material world, actually dazzles and distorts the perception of reality. In each of the nine essays that form The Madness of Vision Buci-Glucksmann develops her theoretical argument via a study of a major painting, sculpture, or influential visual image--Arabic script, Bettini's "The Eye of Cardinal Colonna," Bernini's Saint Teresa and his 1661 fireworks display to celebrate the birth of the French dauphin, Caravaggio's Judith Beheading Holofernes, the Paris arcades, and Arnulf Rainer's self-portrait, among others--and deftly crosses historical, national, and artistic boundaries to address Graciǹ's El Critic̤n; Monteverdi's opera Orfeo; the poetry of Hafiz, John Donne, and Baudelaire; as well as baroque architecture and Anselm Kiefer's Holocaust paintings. In doing so, Buci-Glucksmann makes the case for the pervasive influence of the baroque throughout history and the continuing importance of the baroque in contemporary arts"--

عنوان قراردادي

Folie du voir.

زبان(وقتي جزئي از عنوان قراردادي باشد)

English

موضوع مستند نشده

Aesthetics, Modern-- 17th century

شماره

ويراست

شماره رده

شماره رده

نشانه اثر

نشانه اثر

مستند نام اشخاص تاييد نشده

Buci-Glucksmann, Christine

مستند نام اشخاص تاييد نشده

Baker, Dorothy Zayatz

تاريخ عمليات

20130403131022.0

قواعد فهرست نويسي ( بخش توصيفي )

rda

نام الکترونيکي

نوع ماده

[Book]

تكميل شده

Y