Judy Chicago and the Power of Popular Feminism, 1970-2007 /
نام نخستين پديدآور
Jane F. Gerhard
مشخصات ظاهری
نام خاص و کميت اثر
x, 336 pages ;
ابعاد
24 cm
فروست
عنوان فروست
Since 1970, Histories of contemporary America
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references and index
یادداشتهای مربوط به مندرجات
متن يادداشت
Toward a cultural history of The Dinner Party -- Making feminist artists: the feminist art programs of Fresno and CalArts, 1970-1972 -- Making feminist art: Womanhouse and the feminist art movement, 1972-1974 -- The studio as a feminist space: practicing feminism at The Dinner Party, 1975-1979 -- Joining forces: making art and history at The Dinner Party, 1975-1979 -- Going public: The Dinner Party in San Francisco, 1979 - The tour that very nearly wasn't: The Dinner Party's alternative showings, 1980-1983 -- Debating feminist art: The Dinner Party in published and unpublished commentary, 1979-1989 -- From controversy to canonization: The Dinner Party in the culture wars, 1990-2007 -- A prehistory of post feminism
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
Judy Chicago's monumental art installation The Dinner Party was an immediate sensation when it debuted in 1979, and today it is considered the most popular work of art to emerge from the second-wave feminist movement. Jane F. Gerhard examines the piece's popularity to understand how ideas about feminism migrated from activist and intellectual circles into the American mainstream in the last three decades of the twentieth century
نام شخص به منزله موضوع
موضوع مستند نشده
Chicago, Judy,1939-$$t Dinner party
موضوع مستند نشده
Chicago, Judy,1939-Criticism and interepretation
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Feminism-- United States
رده بندی ديویی
شماره
709
.
2
ويراست
23
رده بندی کنگره
شماره رده
NK4605
.
5
.
U63
نشانه اثر
C482
2013
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )