عنوان

A Soviet credo :

شابک

0754650162

شابک

9780754650164

شماره

dltt

عنوان اصلي

A Soviet credo :

نام عام مواد

[Book]

ساير اطلاعات عنواني

Shostakovich's fourth symphony /

نام نخستين پديدآور

Pauline Fairclough

محل نشرو پخش و غیره

Burlington, VT :

نام ناشر، پخش کننده و غيره

Ashgate,

تاریخ نشرو بخش و غیره

©2006

نام خاص و کميت اثر

xxx, 261 pages :

ساير جزييات

illustrations ;

ابعاد

24 cm

متن يادداشت

Includes bibliographical references (pages 243-255) and index

متن يادداشت

Note on Transliteration -- Note on Sources -- Chapter One: The Soviet Symphony in the 1930s: Political and Aesthetic Background -- Chapter Two: Analytical Approaches to the Fourth Symphony -- Chapter Three: First Movement: Allegro poco Moderato -- Chapter Four: Moderato con moto -- Chapter Five: Third Movement: Largo -- Allegro -- Chapter Six: Conclusion

بدون عنوان

0

متن يادداشت

Composed in 1935-36 and intended to be his artistic 'credo', Shostakovich's Fourth Symphony was not performed publicly until 1961. Here, Dr. Pauline Fairclough tackles head-on one of the most significant and least understood of Shostakovich's major works. She argues that the Fourth Symphony was radically different from its Soviet contemporaries in terms of its structure, dramaturgy, tone and even language, and therefore challenged the norms of Soviet symphonism at a crucial stage of its development. With the backing of prominent musicologists such as Ivan Sollertinsky, the composer could realistically have expected the premiere to have taken place, and may even have intended the symphony to be a model for a new kind of 'democratic' Soviet symphonism. Fairclough meticulously examines the score to inform a discussion of tonal and thematic processes, allusion, paraphrase and reference to musical types, or intonations. Such analysis is set deeply in the context of Soviet musical culture during the period 1932-36, involving Shostakovich's contemporaries Shebalin, Myaskovsky, Kabalevsky and Popov. A new method of analysis is also advanced here, where a range of Soviet and Western analytical methods are informed by the theoretical work of Shostakovich's contemporaries Viktor Shklovsky, Boris Tomashevsky, Mikhail Bakhtin and Ivan Sollertinsky, together with Theodor Adorno's late study of Mahler. In this way, the book will significantly increase an understanding of the symphony and its context

موضوع مستند نشده

Shostakovich, Dmitriĭ Dmitrievich,1906-1975., Symphonies,no. 4, op. 43

موضوع مستند نشده

Symphonies-- Analysis, appreciation

شماره رده

نشانه اثر

مستند نام اشخاص تاييد نشده

Fairclough, Pauline,1970-

نام الکترونيکي

نوع ماده

[Book]

تكميل شده

Y