یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages 349-369) and index
یادداشتهای مربوط به مندرجات
متن يادداشت
Non-linear storytelling: Amores Perros. -- Transformation of the American comedy: Annie Hall. -- Tableau narrative structure and sound design: Apocalypse now. -- The body as cinematic landscape: L'Avventura. -- Editing -- Russian montage: The battleship Potemkin. -- Italian neorealism: The bicycle thief. -- Production design: Blade runner. -- Dream state: Blue velvet. -- The period film as mirror for the present: Bonnie and Clyde. -- Expressionism in cinema: The cabinet of Dr. Caligari. -- Classical Hollywood film style: Casablanca. -- Surrealism in cinema: Un chien Andalou. -- The authorial voice: Citizen Kane. -- Shot structure: The crowd. -- Thematic unity: The Decalogue. -- Mythopoetic film: Dog star man. -- Political objectives through cinematic storytelling: Do the right thing. -- Film noir: Double indemnity. -- The personal film: 8 1/2. -- Animation and music: Fantasia. -- An American musical: 42nd Street. -- New York filmmaking: The French connection. -- Period comedy: The general. -- Parallel storytelling: Intolerance. -- French New Wave: Jules and Jim. -- The epic: Lawrence of Arabia. -- The political thriller: The Manchurian candidate. -- Self-referential cinema: Man with a movie camera. -- Architecture in production design: Metropolis. -- Roots of documentary film: Nanook of the North. -- Multiplot, multicharacter narrative: Nashville. -- Method acting: On the waterfront. -- The close-up: The passion of Joan of Arc. -- Dark side of American cinema: Psycho. -- Subtext in personal expression: Raging bull. -- Multiple point-of-view narrative: Rashomon. -- Widescreen filmmaking: Rebel without a cause. -- Camera movement as metaphor: La Ronde. -- Mise-en-scène: Rules of the game. -- Direct cinema: Salesman. -- The Freudian western: The searchers. -- Defining, theme, metaphor, and character through color, texture, and environmental design: Se7en. -- Symbolism in the cinema: The seventh seal. -- Art of the B movie: Shock corridor. -- Digital filmmaking: Star wars: Episode II -- Attack of the clones. -- Birth of a nonfiction film style: The thin blue line. -- Experimental narrative: 2001: a space odyssey. -- The essay film: Weekend. -- Screen violence as metaphor: The wild bunch. -- Independent filmmaking: A woman under the influence
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
Provides an enjoyable and accessible education in the art of cinema, using 50 landmark films spanning the history of the medium
ویراست دیگر از اثر در قالب دیگر رسانه
عنوان
Becoming film literate.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Cinematography
موضوع مستند نشده
Motion pictures
موضوع مستند نشده
Cinematografía
موضوع مستند نشده
Películas cinematográficas
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )