یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references and index
یادداشتهای مربوط به مندرجات
متن يادداشت
The avant-garde film: definitions -- The 1920s: the European avant-gardes -- The 1920s: Soviet experiments -- The 1920s and 1930s: British avant-garde film -- The 1940s: American mythology -- The 1950s: The aesthetics of the frame -- The 1960s: the New Wave -- The 1960s: sex, drugs and structure -- The 1960s and 1970s: form degree zero -- 1980s: the ghost in the machine -- The 1990s: the young British artists
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
"Avant-Garde Film: Forms, Themes and Passions examines the variety of concerns and practices that have compromised that long history of avant-garde film. It covers the developments of experimental film-making since the modernist explosion in the 1920s in Europe through to the Soviet film experiments, the American Underground cinema and the French New Wave, structuralism and contemporary gallery work of the Young British Artists. Through in-depth case-studies, the book introduces students not only to the history of the avant-garde but also to varied analytical approaches to the films themselves ranging from abstraction (Richter, Ruttman) to surreal visions (Bunuel, Wyn Evans), underground subversion (Jack Smith, Warhol) to experimental narrative (Deren and Antonioni)."--Jacket
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Experimental films
رده بندی کنگره
شماره رده
PN1995
.
9
.
E96
نشانه اثر
O67
2003
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )