World Music and the Individual: the Negotiation of Cultural Capital and Identity Through Bossa Nova in the United States
نام عام مواد
[Thesis]
نام ساير پديدآوران
;supervisor: Cooley, Timothy J.
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
University of California, Santa Barbara: United States -- California
تاریخ نشرو بخش و غیره
: 2012
مشخصات ظاهری
نام خاص و کميت اثر
68 Pages
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
M.A.
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
This inquiry looks at the reception and consumption of a particular musical import in twenty-first century United States: bossa nova. Using theories of cultural capital, Othering or exoticization, and treatment of "world music," especially as it factors into evolving hegemonic systems, I argue that the employment of cultural capital in the current moment has less to do with identification and separation of Others, and more to do with a sense of global citizenry. This argument is also based on seven ethnographies: four performers, two listeners/consumers, and one sample fan base. From these ethnographies emerge trends indicative of an accelerated globalization, which not only functions as a hegemonic system, but also substitutes new modes of consumption and exhibition of cultural capital. Ultimately, these world music creators and consumers are increasingly fashioning their musical and social identities based upon the mélange that the Internet now so easily facilitates, versus an older and more hierarchical juxtapositioning of self and Other.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Music
اصطلاحهای موضوعی کنترل نشده
اصطلاح موضوعی
Communication and the arts
اصطلاح موضوعی
Bossa nova
اصطلاح موضوعی
Brazil
اصطلاح موضوعی
Cultural capital
اصطلاح موضوعی
Ethnomusicology
اصطلاح موضوعی
Identity
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )