عنوان

Hegel and the English romantic tradition

Number

BL18918

Title Proper

Hegel and the English romantic tradition

First Statement of Responsibility

Wayne George Deakin, Chiang Mai University, Thailand

Specific Material Designation and Extent of Item

ix, 198 pages.

Entry Element

Hegel, Georg Wilhelm Friedrich, 1770-1831

Entry Element

English literature

Entry Element

English literature

Entry Element

Literature

Entry Element

Romanticism

Entry Element

LITERARY CRITICISM / European / English, Irish, Scottish, Welsh

Entry Element

LITERARY CRITICISM / Gothic & Romance

Entry Element

PHILOSOPHY / Aesthetics

Class number

Book number

Classification Record Number

Entry Element

Deakin, Wayne George, 1970- author

Entry Element

Includes bibliographical references )pages 189-194( and index

Entry Element

Machine generated contents note: -- Introduction -- i. A Discrimination of Vriticisms -- ii. Why 'philosophical romanticism' -- iii. Romantic Embodiment -- iv. Chapter Breakdown -- PART I: HEGELIAN ROMANTICISM AND THE SYMBIOTIC ALTERITY OF AUTONOMY AND RECEPTIVITY -- 1.1 Introduction -- 1.2 Hegel's Conception of Recognition in an Aesthetic Light -- 1.3 Hegel's Response to Romantic Art -- 1.4 Hegel and Romantic Metaphysics -- 1.5 Hegel's Aesthetics in the Modern Context -- PART II: PHILOSOPHY, THEOLOGY AND INTELLECTUAL INTUITION IN COLERIDGE'S POETICS -- 2.1 Introduction -- 2.2 Coleridge's Philosophical Dichotomy -- 2.3 Coleridge's Theological Escape from Aporia -- 2.4 Symbol and Allegory in Coleridge -- 2.5 The Deconstruction of Allegory and Symbol in 'Kubla Khan' -- 2.6 The Antagonists of the Imagination in 'Kubla Khan' -- 2.7 Coleridge's 'unhappy consciousness' in 'Frost at Midnight' -- 2.8 The Aporetic Recognition through Joy in 'Dejection' -- 2.9 Recognitive Breakdown in 'Constancy to an Ideal Object' -- PART III: WORDSWORTH'S METAPHYSICAL EQUIPOISE -- 3.1 Introduction -- 3.2 Wordsworth and Romantic Metaphysics -- 3.3 Wordsworth's Ladder -- 3.4 Dialectical Criticism of Wordsworth -- 3.5 Contingency and Embodiment -- 3.6 Doubt and Embodiment in 'Lines written a few miles above Tintern Abbey, on revisiting the banks of the Wye during a tour, July 13, 1798.' -- 3.7 'Home' at Grasmere: Embodiment -- 3.8 The Unifying Nature of the Wordsworthian Symbol -- 3.9 Conclusion -- PART IV: DIALECTICAL COLLAPSE AND POST-ROMANTIC RECOGNITION IN SHELLEY -- 4.1 Introduction -- 4.2 Shelley's Quest for the Imagination upon Mont Blanc -- 4.3 Visionary Alienation in 'Alastor' -- 4.4 Eschatological Projection in 'Adonais' -- 4.5 Wonder, Transfiguration and Irony in 'The Triumph of Life' -- PART V: THE CONTINGENT LIMITS OF ROMANTIC MYTH MAKING -- 5.1 Introduction -- 5.2 The Romantic Discourse of Wordsworth and Coleridge -- 5.3 Shelley's Second-order Discourse -- 5.4 Embodied Scepticism: Frankenstein -- 5.5 Conclusion.