NATIONAL BIBLIOGRAPHY NUMBER
Number
T25170
LANGUAGE OF THE ITEM
.Language of Text, Soundtrack etc
انگلیسی
TITLE AND STATEMENT OF RESPONSIBILITY
Title Proper
The Painting on the Wall: The Language of Visual Arts in Selected Modernist and Post-Modernist Fiction
General Material Designation
Dissertation
First Statement of Responsibility
Danial Saleh Nourani
.PUBLICATION, DISTRIBUTION, ETC
Name of Publisher, Distributor, etc.
Persian Literature and Foreign Languages
Date of Publication, Distribution, etc.
1400
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
69p.
Other Physical Details
cd
DISSERTATION (THESIS) NOTE
Dissertation or thesis details and type of degree
M.A.
Discipline of degree
English Literature
Date of degree
1400/06/29
SUMMARY OR ABSTRACT
Text of Note
It is to acknowledge that a life without art would be a gaunt, tasteless metaphor of living. The following thesis with regards to the defined ontology of artistic representations, studies the single but complex aesthetics of art in relation to a matrix of variants that proceed from an expressive ambiguity in the two selected texts, namely Virginia Woolf’s To the Lighthouse and Carole Maso’s The Art Lover. For that reason, through stripping the naked art forms of their original influence, the argument in this thesis opts for a revisionist study of disparate but meaningful contiguities of art in the lives of specific characters. The two chapters work their way in pursuit of a semantic core to disclose an expanding motivation as a controlling structure. The first chapter employs as its focalization the painting in process by Lily Briscoe and, with a glance at a Bloomian Anxiety of Influence that highlights her feminine sense of anxiety, studies the latent interactive variants in the making of her anxiety. The second chapter takes its main idea from Gaston Bachelard’s seminal book The Poetics of Space and aims to explore the multiple art forms and spaces as expressive locales of nostalgia thus speculating that the ordinary aesthetics of life are no more ordinary when it comes to being affected by past habit spaces. The research concludes that the two works, fragmented in style, move beyond the mimetic refrentiality of language to reveal a fundamental gap which, in Michael Riffatree’s structuralist theories, reflects an invariant core from which other signs spread in a syndrome-wise progression
OTHER VARIANT TITLES
Variant Title
نقاشی ای بر دیوار: زبان هنر های تجسمی در آثار منتخب ادبیات مدرنیستی و پسامدرنیستی
UNCONTROLLED SUBJECT TERMS
Subject Term
To the Lighthouse, Space, The Art Lover, Aesthetics, Riffaterre, Phenomenology
Subject Term
نقاشی ای بر دیوار: زبان هنر های تجسمی در آثار منتخب ادبیات مدرنیستی و پسامدرنیستی
PERSONAL NAME - PRIMARY RESPONSIBILITY
Entry Element
Saleh Nourani,
Part of Name Other than Entry Element
Danial
Relator Code
Producer
PERSONAL NAME - SECONDARY RESPONSIBILITY
Entry Element
Massiha,
Entry Element
Ameri,
Part of Name Other than Entry Element
Laleh
Part of Name Other than Entry Element
Firouzeh
Relator Code
Thesis advisor
Relator Code
Consulting advisor
CORPORATE BODY NAME - SECONDARY RESPONSIBILITY
Entry Element
Tabriz
ORIGINATING SOURCE
Country
ایران
Agency
Center library of tabriz
LOCATION AND CALL NUMBER
Call Number
ارشد پایاننامه PE1127.S25 1400
ELECTRONIC LOCATION AND ACCESS
Electronic name
Danial Saleh Nourani
Contact for access assistance
قاسمی
e
TL
276903
a
Y
