Orientalism and Representations of Music in the nineteenth-century British popular arts
First Statement of Responsibility
/ Claire Mabilat
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Aldershot
Name of Publisher, Distributor, etc.
: Ashgate
Date of Publication, Distribution, etc.
, 2008.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
xiii, 252 p.
Other Physical Details
: ill
SERIES
Series Title
(Music in nineteenth-century Britain)
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Bibliography
CONTENTS NOTE
Text of Note
The musical stage. An introduction to British opera and musical stage works in the long nineteenth century ; Sexualizing the other ; An angel/demon dualism -- Works of fiction: Rider Haggard and his milieu. Literature and orientalism: contextualizing Rider Haggard ; The Lady of the Night hath a sweet voice, and she will not sing In vain: Haggard's women, sexuality, music and the other ; Haggard's constructions of African masculinity: otherness, violence and music ; [T]hat unknown man's singing has stirred you deeply : E.M. Hull's the Sheik, an exploration of orientalized gender -- Visual culture. Hearing art: an introduction ; Visually realizing the fictions of H. Rider Haggard ; high art and the musical orient ; Staging the photographic Orient.
TOPICAL NAME USED AS SUBJECT
Orientalism in music -- Great Britain -- History
Orientalism -- Great Britain -- History
Haggard, H. Rider - (Henry Rider), 1856-1925 -- Criticism and interpretation
Dramatic music -- 19th century -- Great Britain -- History and criticism