عنوان
پدید آورنده
موضوع
رده
کتابخانه
محل استقرار
NATIONAL BIBLIOGRAPHY NUMBER
Number
TLpq2408566265
LANGUAGE OF THE ITEM
.Language of Text, Soundtrack etc
انگلیسی
TITLE AND STATEMENT OF RESPONSIBILITY
Title Proper
Tamara De Lempicka's Strategic Conservatism
General Material Designation
[Thesis]
First Statement of Responsibility
Von Buhr, Elizabeth
Subsequent Statement of Responsibility
Bellow, Juliet;Allen, Joanne
.PUBLICATION, DISTRIBUTION, ETC
Name of Publisher, Distributor, etc.
American University
Date of Publication, Distribution, etc.
2020
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
73
DISSERTATION (THESIS) NOTE
Dissertation or thesis details and type of degree
M.A.
Body granting the degree
American University
Text preceding or following the note
2020
SUMMARY OR ABSTRACT
Text of Note
Tamara de Lempicka's seemingly pious and traditionalist period of the late 1920s and 1930s, exemplified by paintings such as La Polonaise (1933) and The Communicant (1928), appears to be a sharp departure from the Polish émigré's celebrated erotic nudes of the early 1920s. This thesis contextualizes this stylistic and thematic shift in de Lempicka's oeuvre within the increasingly fraught, nationalistic, and politically conservative climate of interwar Paris. I argue that de Lempicka adapted her approach to painting to overcome the increased challenges this environment posed to foreign women artists. Her strategy, which relied upon visual ambiguity and a manipulation of conservative taste, secured her financial and professional artistic success.
TOPICAL NAME USED AS SUBJECT
Art history
Femmes Artistes Modernes
Maurice Denis
Return to order
Tamara de Lempicka
PERSONAL NAME - PRIMARY RESPONSIBILITY
Bellow, Juliet
Von Buhr, Elizabeth
PERSONAL NAME - SECONDARY RESPONSIBILITY
Allen, Joanne
ELECTRONIC LOCATION AND ACCESS
Electronic name
مطالعه متن کتاب p
[Thesis]
276903
a
Y
