عنوان

Conscience on Stage:

Number

TLpq2408544332

.Language of Text, Soundtrack etc

انگلیسی

Title Proper

Conscience on Stage:

General Material Designation

[Thesis]

First Statement of Responsibility

Sen, Jashodhara

Title Proper by Another Author

Revising Jatra in Bengal as a Tool for Representation, Restoration, and Revolution

Subsequent Statement of Responsibility

Osnes, Beth

Name of Publisher, Distributor, etc.

University of Colorado at Boulder

Date of Publication, Distribution, etc.

2020

Specific Material Designation and Extent of Item

215

Dissertation or thesis details and type of degree

Ph.D.

Body granting the degree

University of Colorado at Boulder

Text preceding or following the note

2020

Text of Note

Invoking the Conscience: Revising Jatra in Bengal as a tool for Representation, Restoration, and Revolution, draws from the evolution of the Bengali performance form Jatra from a religious celebration to a secular and provocative form of theatre both socially and politically charged to support grassroots engagement. In the nineteenth century, Jatra contributed to India's emerging independence movement, and the form became a significant voice for social concerns in the twentieth century. This dissertation examines one of the most distinctive features of Jatra, the anthropomorphizing of the "conscience," commonly known as the bibek. This is a character type that can interrupt the action to grant expression to various characters' perspectives through song and provide larger ethical commentary on the action of the drama as it corresponds to relevant local issues. By employing the postcolonial notion of hybridity, I investigate what the presence or the absence of this character type allows us to understand about contemporary Jatra from within its colonial roots.

Bengali culture

Bibek or conscience

Hybridity

Jatra

Theatre and performance studies

Traditional theatre

Osnes, Beth

Sen, Jashodhara

Electronic name

p

[Thesis]

276903

a

Y