عنوان

Mythological Women and Sex:

Number

TLpq2406987496

.Language of Text, Soundtrack etc

انگلیسی

Title Proper

Mythological Women and Sex:

General Material Designation

[Thesis]

First Statement of Responsibility

Berg, Cortney Anne

Title Proper by Another Author

Transgression in Christian and Buddhist Religious Imagery

Subsequent Statement of Responsibility

Schleif, Corine

Name of Publisher, Distributor, etc.

Arizona State University

Date of Publication, Distribution, etc.

2020

Specific Material Designation and Extent of Item

101

Dissertation or thesis details and type of degree

M.A.

Body granting the degree

Arizona State University

Text preceding or following the note

2020

Text of Note

Many religious textual accounts describe provocative women: The Great Whore from the Apocalypse, Saint Mary Magdalene from the New Testament, and the Daughters of Mara from the Buddhist tradition are all accused of fornication or the seduction of men. However, when artists have depicted these subjects, the women are rarely shown transgressing in the ways the texts describe. The Great Whore is often masculinized and shown as the equal of kings, Mary Magdalene assumes divergent attitudes about prostitution in early Renaissance Europe, and the Daughters of Mara are comparable to other Buddhist deities, recognizable only from the surrounding narrative. Therefore, in this inquiry, I seek out the ways that artists have manipulated misogynistic religious narratives and introduced their own fears, concerns, and interpretations. Artistic deviations from the text indicate a sensitivity to cultural values beyond the substance of their roles within the narrative. Both the Great Whore and her virtuous counterpart, the Woman Clothed in the Sun, have agency, and the ways they are shown to use their agency determines their moral status. Mary Magdalene, the patron saint of prostitutes and a reformed sinner, is shown with iconographical markers beyond just prostitution, and reveals the ways in which Renaissance artists conceptualized prostitution. In the last case study, the comparison between the Daughters and the Buddhist savioresses, the Taras, demonstrates that Himalayan artists did not completely subscribe to the textual formulations of women as inherently iniquitous. Ultimately, these works of art divulge not just interpretations of the religious traditions, but attitudes about women in general, and the power they wielded in their respective contexts.

Art history

Buddhist art

Medieval art

Religious art

Renaissance art

Women's studies

Berg, Cortney Anne

Schleif, Corine

Electronic name

p

[Thesis]

276903

a

Y