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عنوان
At the Center of the Globe:

پدید آورنده
Mephokee, Hoyon

موضوع
Colonialism,Haussmannization,Jean-Baptiste Carpeaux,Napoléon III,Paris Meridian,Paris Observatory

رده

کتابخانه
Center and Library of Islamic Studies in European Languages

محل استقرار
استان: Qom ـ شهر: Qom

Center and Library of Islamic Studies in European Languages

تماس با کتابخانه : 32910706-025

NATIONAL BIBLIOGRAPHY NUMBER

Number
TLpq2404002028

LANGUAGE OF THE ITEM

.Language of Text, Soundtrack etc
انگلیسی

TITLE AND STATEMENT OF RESPONSIBILITY

Title Proper
At the Center of the Globe:
General Material Designation
[Thesis]
First Statement of Responsibility
Mephokee, Hoyon
Title Proper by Another Author
Jean-Baptiste Carpeaux's Fontaine Des Quatre-Parties-Du-Monde, 1867-74
Subsequent Statement of Responsibility
Bellow, Juliet

.PUBLICATION, DISTRIBUTION, ETC

Name of Publisher, Distributor, etc.
American University
Date of Publication, Distribution, etc.
2020

PHYSICAL DESCRIPTION

Specific Material Designation and Extent of Item
75

DISSERTATION (THESIS) NOTE

Dissertation or thesis details and type of degree
M.A.
Body granting the degree
American University
Text preceding or following the note
2020

SUMMARY OR ABSTRACT

Text of Note
Commissioned in 1867 and installed in 1874, Jean-Baptiste Carpeaux's (1827-1875) Les Quatre parties du monde soutenant la sphère céleste (The Four Parts of the World Supporting the Celestial Sphere), also referred to as the Fontaine des Quatre-Parties-du-Monde (Fountain of the Four Parts of the World), is a public sculpture that adorns a fountain at the Luxembourg Gardens in Paris. The monument sits on the axis between the Luxembourg Palace and the Paris Observatory and depicts four nude female figures who support a celestial sphere, and who represent the four continents-Europe, America, Africa, and Asia-through their distinct physiognomic features. This thesis interrogates the work's racial iconography and spatial relationship to sites that embodied French political and scientific authority during the Second French Empire. Reading the monument's iconography in relation to its placement in the charged space of Haussmannized Paris, I suggest that Napoléon III intended Carpeaux's work to affirm his right to govern and his need to unite a divided French nation. The Fontaine embodied the contradictions of Napoléon III's political messaging, as his regime outwardly championed progressive ideals, while it built and sustained itself on imperial and racial conservatism and French racial and political superiority.

TOPICAL NAME USED AS SUBJECT

Colonialism
Haussmannization
Jean-Baptiste Carpeaux
Napoléon III
Paris Meridian
Paris Observatory

PERSONAL NAME - PRIMARY RESPONSIBILITY

Bellow, Juliet
Mephokee, Hoyon

ELECTRONIC LOCATION AND ACCESS

Electronic name
 مطالعه متن کتاب 

p

[Thesis]
276903

a
Y

Proposal/Bug Report

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