عنوان
پدید آورنده
موضوع
رده
کتابخانه
محل استقرار
NATIONAL BIBLIOGRAPHY NUMBER
Number
TLpq2512756470
LANGUAGE OF THE ITEM
.Language of Text, Soundtrack etc
انگلیسی
TITLE AND STATEMENT OF RESPONSIBILITY
Title Proper
An Appraisal of the Evolution of Western Art Music in Nigeria
General Material Designation
[Thesis]
First Statement of Responsibility
Holland, Agatha Onyinye
Subsequent Statement of Responsibility
Koehler, Hope
.PUBLICATION, DISTRIBUTION, ETC
Name of Publisher, Distributor, etc.
West Virginia University
Date of Publication, Distribution, etc.
2020
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
87
DISSERTATION (THESIS) NOTE
Dissertation or thesis details and type of degree
D.M.A.
Body granting the degree
West Virginia University
Text preceding or following the note
2020
SUMMARY OR ABSTRACT
Text of Note
Nigeria has greatly evolved as an intercultural society given her history of colonization, the influence of foreign religion (Christianity and Islam, primarily) and the impact of globalization. Africa had her socio-cultural practices and art idioms before these foreign influences. For instance, music existed in everyday Africa as part of culture, religion, vocation, and drama. However, music never existed as an entity on its own. The culture of stage performers and audience never existed. This status quo changed with the introduction of Western art music through Christianity and education by the missionaries; since then, music assumed a bi-cultural status. This research document will highlight key influences on the history of classical music in Nigeria. It will explore some evolutionary impacts and some transitional phases that contributed to the current state of Western art music in Nigeria.
TOPICAL NAME USED AS SUBJECT
African art
Art
Centuries
Culture
Native peoples
Statelessness
PERSONAL NAME - PRIMARY RESPONSIBILITY
Holland, Agatha Onyinye
Koehler, Hope
ELECTRONIC LOCATION AND ACCESS
Electronic name
مطالعه متن کتاب p
[Thesis]
276903
a
Y
