Increasingly Soft-Boiled!? Kemal Kayankaya's Transformation from Hard-Boiled Loner to Bourgeois Father-To-Be in Jakob Arjouni's Kayankaya Series
General Material Designation
[Thesis]
First Statement of Responsibility
Hronek, Richard Matthew Morgan
Subsequent Statement of Responsibility
Gross, Sabine D.
.PUBLICATION, DISTRIBUTION, ETC
Name of Publisher, Distributor, etc.
The University of Wisconsin - Madison
Date of Publication, Distribution, etc.
2020
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
228
DISSERTATION (THESIS) NOTE
Dissertation or thesis details and type of degree
Ph.D.
Body granting the degree
The University of Wisconsin - Madison
Text preceding or following the note
2020
SUMMARY OR ABSTRACT
Text of Note
This dissertation, a study of Jakob Arjouni's Kayankaya series (1985-2012), focusses on the significance of the detective as an outsider and the extent to which Kemal Kayankaya, Arjouni's protagonist, fits into that role. While focusing on how Kayankaya does or does not belong, the study relates the detective's opposing desires for order (e.g., crime solving, domestic stability) and chaos (e.g., violence, drunkenness, sexual titillation) to Nietzsche's theory of the Apollonian and Dionysian. In doing this, the dissertation reveals some of Arjouni's strategies for isolating his detective while also making Kayankaya appear stereotypically German. Chapter One introduces the series and establishes the genre conventions of hard-boiled detection. Several scholars refer to Dashiell Hammett's Sam Spade and Raymond Chandler's Philip Marlowe in their analyses of Arjouni. The works in which these detectives appear serve as a backdrop for the study on Kayankaya.