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عنوان
Artistic Resistance in the Holy Land:

پدید آورنده
Bourgeois, Miriam Rudavsky

موضوع
Comparative literature,Middle Eastern literature,Music,Near Eastern studies

رده

کتابخانه
Center and Library of Islamic Studies in European Languages

محل استقرار
استان: Qom ـ شهر: Qom

Center and Library of Islamic Studies in European Languages

تماس با کتابخانه : 32910706-025

NATIONAL BIBLIOGRAPHY NUMBER

Number
TLpq2320923002

LANGUAGE OF THE ITEM

.Language of Text, Soundtrack etc
انگلیسی

TITLE AND STATEMENT OF RESPONSIBILITY

Title Proper
Artistic Resistance in the Holy Land:
General Material Designation
[Thesis]
First Statement of Responsibility
Bourgeois, Miriam Rudavsky
Title Proper by Another Author
'48 Palestinian Fiction and Hip-Hop
Subsequent Statement of Responsibility
Brenner, Naomi

.PUBLICATION, DISTRIBUTION, ETC

Name of Publisher, Distributor, etc.
The Ohio State University
Date of Publication, Distribution, etc.
2019

PHYSICAL DESCRIPTION

Specific Material Designation and Extent of Item
157

DISSERTATION (THESIS) NOTE

Dissertation or thesis details and type of degree
Ph.D.
Body granting the degree
The Ohio State University
Text preceding or following the note
2019

SUMMARY OR ABSTRACT

Text of Note
This dissertation examines two literary works and two rap songs by Palestinian citizens of Israel (`48 Palestinians) that challenge the Jewish state: Emile Habibi's satirical novel Saeed The Pessoptimist (1974); DAM's rap song "Innocent Criminals" (2000); MWR's rap song "Ashanak Arabi" (2001); and Sayed Kashua's semi-autobiographical novel Dancing Arabs (2002). Habibi and Kashua participated in Israel's mainstream literary scene: their two novels were read by contemporary Israeli readers and published by Israeli presses. The rappers of MWR and DAM participated in an underground `48 Palestinian rap scene in Israel: aside from MWR's short-lived radio popularity, the selected rap songs were not consumed by mainstream Israeli listeners, played on Israeli radio, or produced by Israeli record labels. How can we account for these discrepancies? I suggest they are more reflective of attitudes within Israeli society than differences between the works themselves. As a result, factors such as genre (rap or literary text); candor (explicit or implicit critique); and language (Hebrew or Arabic) allow the artists to accomplish different things through their art. With a horizontal form of analysis that replaces more traditional hierarchical genre analysis with an emphasis upon the similar rhetorical force of both oral and written communications, I maintain that the "low" art of rap contains as much depth, substance, and nuance as the "high" art of written fiction.

TOPICAL NAME USED AS SUBJECT

Comparative literature
Middle Eastern literature
Music
Near Eastern studies

PERSONAL NAME - PRIMARY RESPONSIBILITY

Bourgeois, Miriam Rudavsky
Brenner, Naomi

ELECTRONIC LOCATION AND ACCESS

Electronic name
 مطالعه متن کتاب 

p

[Thesis]
276903

a
Y

Proposal/Bug Report

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