The "Commedia", The "Kitab al-Mi'raj" and Apocalyptic Tradition
Subsequent Statement of Responsibility
W. C. C. Stephens
.PUBLICATION, DISTRIBUTION, ETC
Name of Publisher, Distributor, etc.
The Johns Hopkins University
Date of Publication, Distribution, etc.
2012
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
315
DISSERTATION (THESIS) NOTE
Dissertation or thesis details and type of degree
Ph.D.
Body granting the degree
The Johns Hopkins University
Text preceding or following the note
2012
SUMMARY OR ABSTRACT
Text of Note
This dissertation project comparatively analyzes two literary journeys to the afterlife: the first by Dante Alighieri in his famous poem, the Commedia ; the second by the prophet of Islam as outlined in the Kitab al-Mi 'raj (`Book of the Stair'), an Islamic eschatological treatise whose Latin translation Dante likely accessed as a source of inspiration for his poem. My investigation seeks to delineate the structural, thematic and discursive correlations between the Commedia , the Kitab al-Mi'raj , and earlier ascent narratives from the Judeo-Christian apocalyptic tradition. Furthermore, it considers the ways in which the authors of these two medieval texts utilize the apocalyptic framework to convey an identical doctrine of mystical ascent and divine union. Debunking the presumption that medieval Christian Europe operated as a closed-door culture, this project brings to light the convivial exchange of ideas that took place among the peoples of the three Abrahamic faiths, resulting in a rich literary tradition that bridged cultural and religious boundaries.