عنوان

Putting animals on display :

Number

TLets527528

Title Proper

Putting animals on display :

General Material Designation

[Thesis]

First Statement of Responsibility

Patchett, Merle Marshall

Title Proper by Another Author

geographies of taxidermy practice

Name of Publisher, Distributor, etc.

University of Glasgow

Date of Publication, Distribution, etc.

2010

Dissertation or thesis details and type of degree

Ph.D.

Body granting the degree

University of Glasgow

Text preceding or following the note

2010

Text of Note

Taxidermy specimens and displays have become increasingly liminal features in contemporary society. Viewed variously as historical curios, obsolete relics or more malignantly as 'monstrosities', they can be a source of discomfort for many. Taxidermy objects have become uncomfortable reminders of past scientific and colonial practices which have sought to capture, order and control animated life and as such have become increasingly problematic items for their owners. As a result many taxidermy displays have been dismantled and mounts relegated to 'backstores' to gather dust. The paradox is that taxidermy as a practice is a quest for 'liveness', to impute life back into the dead. Much like the taxidermist, my goal in this thesis is to revive and restore: to renew interest in and reassert the value of taxidermy collections by recovering what I shall term as the 'biogeographies' of their making and continued maintenance. Considerable academic attention has been paid to the 'finished' form and display of taxidermy specimens inside cabinets, behind glass - in other words, to their representation. By way of contrast, this thesis recovers the relationships, practices and geographies that brought specimens to their state of enclosure, inertness and seeming fixity. These efforts are aligned with work in cultural geography seeking to counteract 'deadening effects' in an active world through a prioritisation of practice (Dewsbury and Thrift 2000), and elsewhere draw on research arguments and approaches originating in historical geography, and the history of science. The thesis firstly investigates historical developments in the scientific and craft practice of taxidermy through the close study of period manuals, combined with ethnographic observations of a practicing taxidermist. Critical attention to practice then facilitates the recovery of the lifeworlds of past taxidermy workshops and the globally sited biogeographies behind the making of individual specimens and collections. The thesis required the purposeful assemblage and rehabilitation of diffuse zoological and historical remains to form unconventional archives, enabling a series of critical reflections on the scientific, creative and political potentials of taxidermy.

BH Aesthetics

GN Anthropology

NX Arts in general

TT Handicrafts Arts and crafts

Patchett, Merle Marshall

University of Glasgow

Electronic name

p

[Thesis]

276903

a

Y