reading contemporary cityscapes with Benjamin and Baudrillard
.PUBLICATION, DISTRIBUTION, ETC
Name of Publisher, Distributor, etc.
University of Birmingham
Date of Publication, Distribution, etc.
2010
DISSERTATION (THESIS) NOTE
Dissertation or thesis details and type of degree
Ph.D.
Body granting the degree
University of Birmingham
Text preceding or following the note
2010
SUMMARY OR ABSTRACT
Text of Note
This thesis seeks to contribute to the literature on Walter Benjamin and Jean Baudrillard, but not to merely retread old debates. It is concerned instead with a re-evaluation of the work of both thinkers in a particular context: the experience of the new cultural spaces, of twenty-first century post-industrial cities, and in relation to each other. I argue, following Benjamin, that these spaces function as contemporary 'dreamhouses'. Deploying a constellation of Benjamin and Baudrillard's ideas to read such spaces illuminates the experience of the contemporary cityscape around the themes of spectacle, distraction, interactivity, simulation and consumption. The thesis examines how these iconic architectural projects, the technological body of the cityscape, mediate our experiences of art, nature, personal and collective memory, and notions of public culture. I argue that we must read Benjamin again after Baudrillard in order to assess the value of both thinkers' contribution to the understanding of contemporary cities organisation of space and culture. The contingent proximity that is uncovered when reading the theorists both together and against each other, is one which ultimately argues for the persistence of certain 'messianic' moments; traces or interruptions which can be uncovered against the notion of Baudrillardian 'simulation'. This is to take seriously, rather than dispense with, Baudrillardian ideas. Both Benjamin and Baudrillard, together, are necessary to understand the experience of contemporary urban culture. Taking the form of four empirical encounters between the theoretical concepts and the cultural spaces themselves, I set out to locate these messianic possibilities. Each of the analytical chapters focuses on a different cultural space: The Lowry, Salford; The Deep, Hull, The Sage, Gateshead; and The Public, West Bromwich.