visual politics of cruelty in contemporary culture
.PUBLICATION, DISTRIBUTION, ETC
Name of Publisher, Distributor, etc.
School of Oriental and African Studies (University of London)
Date of Publication, Distribution, etc.
2008
DISSERTATION (THESIS) NOTE
Dissertation or thesis details and type of degree
Ph.D.
Body granting the degree
School of Oriental and African Studies (University of London)
Text preceding or following the note
2008
SUMMARY OR ABSTRACT
Text of Note
This thesis deals with cruelty, its representation and its underlying symbolic and political subtext on a psychic as well as on a social level. The perspective that will be adopted within this research is one with a strong emphasis on French theory, psychoanalysis and continental philosophy. This research provides an interface between philosophy and the visual through the angle of cruelty. The central hypothesis of this thesis is that cruelty is an archaic and transversal phenomenon which, while it finds many local, individual and specific expressions throughout cultures and histories, nevertheless indexes a global resonance of pain, desire, death and obscene enjoyment. Cruelty operates a return to the body, a return to desire, a return to archaic beliefs and representations. Cruelty is also an act of mediation between self and other, a relation where the other is integrated through destruction. This power-relation of cruelty is highly political in the sense that it inevitably begs questions of sovereignty and subjection. This power-relation survives in our imagination, contemporary culture and politics under very specific forms, psychic as well as collective figures, postures, enactments, sensations and movements. The objective of this thesis is thus to analyse the trans-cultural and trans-historical visual politics of cruelty.
PERSONAL NAME - PRIMARY RESPONSIBILITY
Chow, Olivier
CORPORATE BODY NAME - SECONDARY RESPONSIBILITY
School of Oriental and African Studies (University of London)