Naqshbandī Defenses of rābiṭa from the Late Ottoman Empire to the Turkish Republic
First Statement of Responsibility
M. Brett Wilson
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Leiden
Name of Publisher, Distributor, etc.
Brill
SUMMARY OR ABSTRACT
Text of Note
This article explores debates surrounding the controversial spiritual exercise of rābiṭa - the binding of the disciple with a Sufi master by envisioning the image of the master in different parts of the body. Despite being criticized as a non-Qurʾanic practice and as a form of idolatry, rābiṭa was made a ritual of prominence among the Khālidī-Naqshbandī suborder which took shape in early nineteenth-century Syria and spread throughout the late Ottoman Empire. Tracing defenses of the practice from Arabic sources in the early nineteenth century to Turkish language treatises in the twentieth century, I argue that the Sufi ādāb manual al-Bahja al-saniyya composed by Muḥammad b. ʿAbdallāh al-Khānī (1798-1862) established a repertoire of arguments that have been adopted and reused in Turkish language treatises until the present with little variation, revealing a remarkable continuity of apologetics over nearly two centuries. Additionally, the article considers the role of this ritual in defining the nature of master-disciple relationships and establishing hierarchies of Sufi devotion and obedience. This article explores debates surrounding the controversial spiritual exercise of rābiṭa - the binding of the disciple with a Sufi master by envisioning the image of the master in different parts of the body. Despite being criticized as a non-Qurʾanic practice and as a form of idolatry, rābiṭa was made a ritual of prominence among the Khālidī-Naqshbandī suborder which took shape in early nineteenth-century Syria and spread throughout the late Ottoman Empire. Tracing defenses of the practice from Arabic sources in the early nineteenth century to Turkish language treatises in the twentieth century, I argue that the Sufi ādāb manual al-Bahja al-saniyya composed by Muḥammad b. ʿAbdallāh al-Khānī (1798-1862) established a repertoire of arguments that have been adopted and reused in Turkish language treatises until the present with little variation, revealing a remarkable continuity of apologetics over nearly two centuries. Additionally, the article considers the role of this ritual in defining the nature of master-disciple relationships and establishing hierarchies of Sufi devotion and obedience.