عنوان

Singing "The Song of Chief Iipumbu"

Number

LA126670

.Language of Text, Soundtrack etc

انگلیسی

Title Proper

Singing "The Song of Chief Iipumbu"

General Material Designation

[Article]

First Statement of Responsibility

Emily D. Crews

Place of Publication, Distribution, etc.

Leiden

Name of Publisher, Distributor, etc.

Brill

Text of Note

This essay addresses "The Song of Chief Iipumbu," an oral poem performed by a woman named Nekwaya Loide Shikongo in North-Central Namibia in 1953. It argues that "The Song of Chief Iipumbu" acted as an astute analysis of local power relations, employing scornful commentary on a deposed native chief as a cover for subtle but profound criticisms of European colonial institutions to which Shikongo, as a African Christian woman, was subject. Through a brief history of colonialism in Namibia and detailed attention to the linguistic and discursive webs woven by the poem's author, this essay shows that Shikongo's censure of oppressive authorities was not an attempt to undermine the networks of power operating in colonial Namibia. Rather, it was an effort to affect acceptance of (or at least resignation to) her subordination in order to achieve the renewal of psychological and social equilibrium. This essay addresses "The Song of Chief Iipumbu," an oral poem performed by a woman named Nekwaya Loide Shikongo in North-Central Namibia in 1953. It argues that "The Song of Chief Iipumbu" acted as an astute analysis of local power relations, employing scornful commentary on a deposed native chief as a cover for subtle but profound criticisms of European colonial institutions to which Shikongo, as a African Christian woman, was subject. Through a brief history of colonialism in Namibia and detailed attention to the linguistic and discursive webs woven by the poem's author, this essay shows that Shikongo's censure of oppressive authorities was not an attempt to undermine the networks of power operating in colonial Namibia. Rather, it was an effort to affect acceptance of (or at least resignation to) her subordination in order to achieve the renewal of psychological and social equilibrium. This essay addresses "The Song of Chief Iipumbu," an oral poem performed by a woman named Nekwaya Loide Shikongo in North-Central Namibia in 1953. It argues that "The Song of Chief Iipumbu" acted as an astute analysis of local power relations, employing scornful commentary on a deposed native chief as a cover for subtle but profound criticisms of European colonial institutions to which Shikongo, as a African Christian woman, was subject. Through a brief history of colonialism in Namibia and detailed attention to the linguistic and discursive webs woven by the poem's author, this essay shows that Shikongo's censure of oppressive authorities was not an attempt to undermine the networks of power operating in colonial Namibia. Rather, it was an effort to affect acceptance of (or at least resignation to) her subordination in order to achieve the renewal of psychological and social equilibrium. This essay addresses "The Song of Chief Iipumbu," an oral poem performed by a woman named Nekwaya Loide Shikongo in North-Central Namibia in 1953. It argues that "The Song of Chief Iipumbu" acted as an astute analysis of local power relations, employing scornful commentary on a deposed native chief as a cover for subtle but profound criticisms of European colonial institutions to which Shikongo, as a African Christian woman, was subject. Through a brief history of colonialism in Namibia and detailed attention to the linguistic and discursive webs woven by the poem's author, this essay shows that Shikongo's censure of oppressive authorities was not an attempt to undermine the networks of power operating in colonial Namibia. Rather, it was an effort to affect acceptance of (or at least resignation to) her subordination in order to achieve the renewal of psychological and social equilibrium.

Date of Publication

2018

Physical description

258-297

Title

Religion and Theology

Volume Number

25/3-4

International Standard Serial Number

1574-3012

Subject Term

agency

Subject Term

Christianity

Subject Term

colonialism

Subject Term

General

Subject Term

History of Religion

Subject Term

missionaries

Subject Term

Namibia

Subject Term

Owambo

Subject Term

performance

Subject Term

Religion & Society

Subject Term

Religious Studies

Subject Term

resistance

Subject Term

Social Sciences

Subject Term

Theology and World Christianity

Emily D. Crews

Call Number

10.1163/15743012-02503008

Electronic name

p

[Article]

275578

a

Y