عنوان

Spires and Cathedrals

Number

LA125538

.Language of Text, Soundtrack etc

انگلیسی

Title Proper

Spires and Cathedrals

General Material Designation

[Article]

First Statement of Responsibility

Gregg Heitschmidt

Place of Publication, Distribution, etc.

Leiden

Name of Publisher, Distributor, etc.

Brill

Text of Note

In the latter half of the nineteenth century, especially between 1859 and 1872, Union officers and enlisted men, scientists and explorers, artists and writers traveled westward. Surveyors appraised and mapped; expeditionary members explored and then wrote, hoping to convey the wonders they had witnessed. The western wilderness was an enormous expanse, one that as easily represented commercial possibilities as it did a new ideal. Nevertheless, the western wilderness also mesmerized and inspired, provoking a type of awe and wonderment in its languorous canyons, exploding fumaroles, bubbling hot springs, and soaring granite spires. From the Rockies to the Sawtooths, from the Cascades to the Tetons, the mountains of the American West mystified and hypnotized those who saw them. The Sierra Nevadas, in particular, became the locus for artists and writers. Their paintings and publications, in turn, inspired entire groups to travel to the Yosemite Valley in order to ponder the sublime beauties of Nature found there. Through the paintings and sketches of Albert Bierstadt and Thomas Moran, and through the meticulous journal entries and travel narratives of Clarence King and John Muir-whose work as a Naturalist eventually helped establish the Valley as a National Park-Yosemite captured the imagination of the American people, as its spires, cliffs, and waterfalls had been artistically transformed from mere tourist destinations into sites of divine revelation. In the latter half of the nineteenth century, especially between 1859 and 1872, Union officers and enlisted men, scientists and explorers, artists and writers traveled westward. Surveyors appraised and mapped; expeditionary members explored and then wrote, hoping to convey the wonders they had witnessed. The western wilderness was an enormous expanse, one that as easily represented commercial possibilities as it did a new ideal. Nevertheless, the western wilderness also mesmerized and inspired, provoking a type of awe and wonderment in its languorous canyons, exploding fumaroles, bubbling hot springs, and soaring granite spires. From the Rockies to the Sawtooths, from the Cascades to the Tetons, the mountains of the American West mystified and hypnotized those who saw them. The Sierra Nevadas, in particular, became the locus for artists and writers. Their paintings and publications, in turn, inspired entire groups to travel to the Yosemite Valley in order to ponder the sublime beauties of Nature found there. Through the paintings and sketches of Albert Bierstadt and Thomas Moran, and through the meticulous journal entries and travel narratives of Clarence King and John Muir-whose work as a Naturalist eventually helped establish the Valley as a National Park-Yosemite captured the imagination of the American people, as its spires, cliffs, and waterfalls had been artistically transformed from mere tourist destinations into sites of divine revelation.

Date of Publication

2018

Physical description

95-113

Title

Religion and the Arts

Volume Number

22/1-2

International Standard Serial Number

1568-5292

Subject Term

Albert Bierstadt

Subject Term

Clarence King

Subject Term

expeditions

Subject Term

John Muir

Subject Term

landscape(s)

Subject Term

mountains

Subject Term

sacred

Subject Term

Thomas Moran

Subject Term

Yosemite Valley

Gregg Heitschmidt

Call Number

10.1163/15685292-02201005

Electronic name

p

[Article]

275578

a

Y