The Intersection of Contemporary Latin American Art and Religion
First Statement of Responsibility
Charlene Villaseñor Black
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Leiden
Name of Publisher, Distributor, etc.
Brill
SUMMARY OR ABSTRACT
Text of Note
This introduction examines the usefulness of Habermas's "post-secularity" for discussions of religion in contemporary Latin American art, as well as the Náhuatl concept of "nepantla," or in-betweeness, and Néstor García Canclini's "multi-temporal heterogeneity." These terms are examined in relation to the work of artists Delilah Montoya and Francis Alÿs.