Modern Jewish Thought and the Criticism of Cosmetically and Technologically Perfected Female Faces in Contemporary Popular Culture
First Statement of Responsibility
Melissa Raphael
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Leiden
Name of Publisher, Distributor, etc.
Brill
SUMMARY OR ABSTRACT
Text of Note
This article argues that the 'halakhically' (legally) governed representational techniques employed by Jewish art are founded upon a counter-idolatrous theology of appearance: both human and divine. In drawing upon a range of Jewish sources from the ancient to the contemporary period that understand idolatry as an estrangement of the world from God, this article presents a Jewish feminist theological critique of alienation in the late modern popular visual regime, while suggesting that it is nonetheless possible for public culture to behold the divine image in images of the human without such images becoming idolatrous. This article argues that the 'halakhically' (legally) governed representational techniques employed by Jewish art are founded upon a counter-idolatrous theology of appearance: both human and divine. In drawing upon a range of Jewish sources from the ancient to the contemporary period that understand idolatry as an estrangement of the world from God, this article presents a Jewish feminist theological critique of alienation in the late modern popular visual regime, while suggesting that it is nonetheless possible for public culture to behold the divine image in images of the human without such images becoming idolatrous.