عنوان
پدید آورنده
موضوع
رده
کتابخانه
محل استقرار
NATIONAL BIBLIOGRAPHY NUMBER
Number
TL51253
LANGUAGE OF THE ITEM
.Language of Text, Soundtrack etc
انگلیسی
TITLE AND STATEMENT OF RESPONSIBILITY
Title Proper
States of Legibility: Mohammad Kibria's Calligraphic Modernism, 1950-1970
General Material Designation
[Thesis]
First Statement of Responsibility
Phoutrides, Maria
Subsequent Statement of Responsibility
Khullar, Sonal
.PUBLICATION, DISTRIBUTION, ETC
Name of Publisher, Distributor, etc.
University of Washington
Date of Publication, Distribution, etc.
2019
GENERAL NOTES
Text of Note
41 p.
DISSERTATION (THESIS) NOTE
Dissertation or thesis details and type of degree
M.A.
Body granting the degree
University of Washington
Text preceding or following the note
2019
SUMMARY OR ABSTRACT
Text of Note
This paper focuses on the works of Bangladeshi artist Mohammad Kibria, particularly those created between the 1950s and 1970s, the decades around the time in which the artist studied in Japan at the Tokyo University of Fine Arts and Music. In doing so, this paper examines how the network of artistic exchange between Bengal and Japan has persisted and transformed through periods of decolonization and independence. The paper situates Kibria's practice within the historical context of Pan-Asianism and engages more recent scholarship on calligraphic and global modernism. The paper proposes a reading of the artist's work that considers the shifting relationship between the artist and the nation-state in postcolonial Bengal, as well as the hazy distinction between word and image in calligraphic modernism.
UNCONTROLLED SUBJECT TERMS
Subject Term
Art history
Subject Term
Asian studies
Subject Term
Postcolonialism
PERSONAL NAME - PRIMARY RESPONSIBILITY
Phoutrides, Maria
PERSONAL NAME - SECONDARY RESPONSIBILITY
Khullar, Sonal
CORPORATE BODY NAME - SECONDARY RESPONSIBILITY
University of Washington
ELECTRONIC LOCATION AND ACCESS
Electronic name
مطالعه متن کتاب p
[Thesis]
276903
a
Y
