عنوان
پدید آورنده
موضوع
رده
کتابخانه
محل استقرار
NATIONAL BIBLIOGRAPHY NUMBER
Number
TL50584
LANGUAGE OF THE ITEM
.Language of Text, Soundtrack etc
انگلیسی
TITLE AND STATEMENT OF RESPONSIBILITY
Title Proper
موسیقی غربی در ایران - آنالیز دو اثر از آهنگسازان معاصر ایرانی برای فلوت و پیانو
General Material Designation
[Thesis]
First Statement of Responsibility
Gholami, Mehrdad
Subsequent Statement of Responsibility
Thomspon, Shauna
.PUBLICATION, DISTRIBUTION, ETC
Name of Publisher, Distributor, etc.
Texas Christian University
Date of Publication, Distribution, etc.
2019
GENERAL NOTES
Text of Note
100 p.
DISSERTATION (THESIS) NOTE
Dissertation or thesis details and type of degree
Mus.A.D.
Body granting the degree
Texas Christian University
Text preceding or following the note
2019
SUMMARY OR ABSTRACT
Text of Note
This document explores how Iranian native composers who have studied Western classical music incorporate elements of Iranian classical music in their compositions. The first section covers the history of Western music in Iran, spanning from the early 1910s to 1979. It includes charts, references and resources for further study. The next section provides biographical information about Kouchyar Shahroudi (b.1959) and Kiawasch SahebNassagh (b.1968), establishing the historical placement of each composer within the context of Iranian and Western music. The author includes a structural analysis of the pieces Danses Mystiques (2017) by Kouchyar Shahroudi and Amusie (2018) by Kiawasch SahebNassagh, addressing the question of "Iranian identity" in the music. The author provides musical examples from each piece and compares them to their Iranian classical music origins. These examples can be a motive, melody or even a textural idea. The Iranian classical music examples compare the composers' uses of the melodies with the origins of the melodies. Each composer has a different approach in forming his own hybrid Iranian-Western style of composition. The goal is to define "Iranian identity" and explore its manifestation in each composer's work.
UNCONTROLLED SUBJECT TERMS
Subject Term
Music
Subject Term
Music history
Subject Term
Music theory
PERSONAL NAME - PRIMARY RESPONSIBILITY
Gholami, Mehrdad
PERSONAL NAME - SECONDARY RESPONSIBILITY
Thomspon, Shauna
CORPORATE BODY NAME - SECONDARY RESPONSIBILITY
Texas Christian University
ELECTRONIC LOCATION AND ACCESS
Electronic name
مطالعه متن کتاب p
[Thesis]
276903
a
Y
